The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
When she re-opened her eyes she approached the mirror, looked at
herself again, and examined herself closely. She was done for. She
saw herself dead. Her whole face told her that the cerebral cracking
was being completed. Maxime, that last perversion of her senses, had
finished his work, exhausted her flesh, and unhinged her intelligence.
She had no more joys to taste, no hope of an awakening. At this thought
a savage rage was rekindled within her, and in a last crisis of desire
she dreamt of retaking possession of her prey, of agonizing in Maxime's
arms, and carrying him off with her. Louise could not marry him; Louise
knew very well that he did not belong to her, since she had seen them
kissing each other on the lips. Then she threw a fur mantle over her
shoulders, so as not to pass naked through the ball, and she went
downstairs.
In the little drawing-room she came face to face with Madame Sidonie.
The latter, in view of enjoying the drama, had again stationed herself
on the steps of the conservatory. But she no longer knew what to think
when Saccard reappeared with Maxime, and brutally replied to her
whispered questions that she was dreaming, that there was "nothing
whatever." Then she scented the truth. Her yellow face grew pale, she
considered this really too strong. And she softly went and placed her
ear against the staircase door, hoping that she would be able to hear
Renée crying upstairs. When the young woman opened the door, it almost
smacked her sister-in-law in the face.
"You are playing the spy on me!" Renée angrily said.
But Madame Sidonie replied with fine disdain:
"Do I occupy myself with your filth?"
And catching up her sorceress's dress, and retiring with a majestic
look:
"It isn't my fault, little one, if accidents befall you. But I have
no spite, do you hear? And understand that you would have found, and
would still find, a second mother in me. I shall expect you at my place
whenever you please."
Renée did not listen to her. She entered the large drawing-room, and
passed through a very complicated figure of the cotillon without even
remarking the surprise which her fur mantle occasioned. In the middle
of the room there were groups of ladies and gentlemen who mingled
waving bandrols, and Monsieur de Saffré's fluty voice called out:
"Come, ladies, 'the Mexican War.' The ladies who figure the bushes must
spread their skirts out around them and remain on the ground--Now, the
gentlemen must turn round the bushes--Then when I clap my hands each of
them must waltz with his bush."
He clapped his hands. The brass instruments resounded, the waltz once
more sent the couples revolving round the room. The figure had not been
very successful. Two ladies had remained on the carpet entangled in
their dresses. Madame Daste declared that the only thing that amused
her in the "Mexican War," was making a "cheese" of her dress, as she
had done at school.
Public-domain text, read in full here on John Shaqi.
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