The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Her nudity irritated her. She turned her head, she looked around
her. The dressing-room retained its musky heaviness, its warm
silence, whither still came the phrases of the waltz, like the last
expiring circles on a sheet of water. This low laughter of distant
voluptuousness passed over her with intolerable raillery. She stopped
up her ears, so as to hear it no longer. Then she beheld the luxury
in the room. She raised her eyes to the pink tent, even to the silver
crown, within which one perceived a Cupid preparing his arrows; she
dwelt on the furniture, on the marble slab of the toilet-table,
encumbered with pots and tools which she no longer recognised; she went
to the bath, still full of slumbering water; she pushed back with her
foot the stuffs trailing over the white satin of the arm-chairs, the
costume of the nymph Echo, the petticoats, the forgotten towels. And
from all these things voices of shame arose: the robe of the nymph Echo
spoke to her of the pastime she had shared because she had thought it
original to offer herself to Maxime in public; the bath exhaled the
scent of her body, the water in which she had dipped herself filled
the room with the feverishness of a sick woman; the table, with its
soaps and oils, the furniture, with its bed-like roundnesses, reminded
her brutally of her flesh, her amours, all the filth that she wished
to forget. She returned into the middle of the room, her face purple,
not knowing where to fly from this alcove perfume, this luxury which
bared itself with a harlot's immodesty, which displayed all this pink.
The room was naked like herself; the pink bath, the rosy skin of the
hangings, the pink marble of the two tables became animated, stretched
themselves, coiled themselves up, and surrounded her with such a
display of living voluptuousness that she closed her eyes, lowering her
forehead, overwhelmed amid the lace of the ceiling and the walls which
crushed her.
But in the blackness she again saw that flesh-tinted spot the
dressing-room, and she also beheld the grey softness of the bedroom,
the soft aurulent lustre of the little drawing-room, the crude
greenness of the conservatory, all the wealth that had been her
accomplice. It was there that her feet had become impregnated with the
evil sap. She would not have slept with Maxime on a pallet in the depth
of a garret. It would have been too ignoble! The silk around her had
made her crime coquettish. And she dreamt of tearing down this lace,
of spitting upon this silk, of breaking her large bed to pieces with
kicks, of dragging her luxury into some gutter, whence it would emerge
worn-out and dirtied like herself.
Public-domain text, read in full here on John Shaqi.
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