The Rush for the Spoil (La Curée): A Realistic Novel — John Shaqi
The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
The block still continued. Amidst the uniform, dull-coloured patches
caused by the long line of broughams--extremely numerous in the Bois on
that autumn afternoon--the glass of a window, a horse's bit, a plated
lamp-holder, or the gold or silver lace on the livery of some lackey
seated up on high, sparkled in the sun. Here and there an open landau
displayed a glimpse of a dress, some woman's costume in silk or velvet.
Little by little a profound silence had succeeded the hubbub of the
now stationary mass. In the depths of the carriages one could overhear
the remarks of the pedestrians. There was an exchange of speechless
glances from vehicle to vehicle; and all conversation ceased during
this deadlock, the silence of which was only broken by the creaking of
harness and the impatient pawing of some horse. The confused murmurs of
the Bois were dying away in the distance.
In spite of the lateness of the season, all Paris was there: the
Duchess de Sternich, in a chariot; Madame de Lauwerens, in a victoria,
drawn by some very fine cattle; Baroness de Meinhold, in a delicious
dark brown private cab; Countess Vanska, with her piebald ponies;
Madame Daste and her famous black steppers; Madame de Guende and
Madame Teissière, in a brougham; little Sylvia, in a deep blue landau;
and Don Carlos, too, in mourning, with his ancient and solemn-looking
livery; Selim Pasha, with his fez and without his tutor; the Duchess de
Rozan, in her single-seated brougham, and with her powdered lackeys;
Count de Chibray, in a dog-cart; Mr. Simpson, on a well-appointed
mail-coach; the whole of the American colony. Finally, two members of
the Academy in a cab.
The leading carriages were at length released, and the whole line was
soon able to move slowly onwards. It was like an awakening. A thousand
scintillations danced around, rapid flashes played to and fro amidst
the wheels, whilst the harness shaken by the horses emitted a galaxy
of sparks. Along the ground and on the trees were broad reflexions of
fleeting glass. This glistening of harness and of wheels, this blaze of
varnished panels all aglow with the red fire of the setting sun, the
bright touches of the gorgeous liveries perched up on high, and of the
rich costumes bursting from the confined space of the equipages, passed
along in the midst of a hollow, continuous rumbling, timed by the pace
of the thoroughbreds. And the procession continued, accompanied by the
same sounds and the same scintillations, unceasingly and at one spurt,
as though the leading vehicles had been dragging all the others after
them.
Public-domain text, read in full here on John Shaqi.
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