The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
But in this still house, in this cloister, there existed a warm nest
full of life, a corner of sunshine and gaiety, an abode of adorable
childhood, fresh air, and bright light. One had to ascend a host of
little staircases, pass along ten or twelve corridors, go down and
come up again; in fact, make quite a journey, and then one at last
reached a vast chamber, a kind of belvedere built up on the roof, at
the back of the mansion, right above the Quai de Béthune. It was in
a full southern aspect. The window opened so wide that the heavens,
with all their rays, fresh air, and azure blue, seemed to enter there.
Perched aloft like a pigeon-house, the apartment contained long boxes
full of flowers, an immense aviary, but not a single article of
furniture. There was simply some matting spread over the floor. It
was the "children's room." Throughout the mansion it was known and
called by this name. The house was so cold, the courtyard so damp,
that aunt Élisabeth had dreaded some harm might come to Christine and
Renée from this chill breath which hung about the walls; more than
once had she scolded the children for running about the arcades, and
taking a delight in dipping their little arms in the icy water of the
fountain. Then she had the idea to turn this out-of-the-way garret to
account for them, the only nook wherein the sunshine had been entering
and rejoicing, all by itself, for two centuries past, in the midst
of the cobwebs. She gave them some matting, some birds, and some
flowers. The little girls were delighted. During the holidays Renée
lived there, bathing in the yellow sunshine, which seemed pleased with
the embellishments made to its retreat, and with the two fair heads
sent to keep it company. The room became a paradise, ever resounding
with the chirping of the birds and the chatter of the children. It
had been given up to them entirely. They called it "our room;" it was
their domain; they even went so far as to lock themselves in to prove
to their satisfaction that they were the sole mistresses of it. What
an abode of happiness! A massacre of playthings lay expiring on the
matting in the midst of the bright sunshine.
Public-domain text, read in full here on John Shaqi.
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