The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
And the great delight of the children's room was, after all, the vast
horizon. From the other windows of the mansion there was nothing to
gaze upon but black walls a few feet off. But from this one, one could
see all that portion of the Seine, all that district of Paris which
extends from the Cité to the Pont de Bercy, flat and immense, and which
resembles some primitive city in Holland. Down below, on the Quai de
Béthune, were some tumble-down wooden sheds, accumulations of beams
and fallen roofs, amidst which the children often amused themselves
by watching enormous rats scamper about, with a vague dread of seeing
them crawl up the high walls. But it was beyond this that the real
delight of the view began. The boom, with its tiers of timbers, its
buttresses resembling those of some Gothic cathedral, and the slender
Pont de Constantine swaying like a piece of lace beneath the footsteps
of passengers, crossed each other at right angles, and seemed to dam
up and keep in check the enormous mass of water. Right in front, the
trees of the Halle aux Vins, and further away, the shrubberies of the
Jardin des Plantes were a mass of green, and spread out as far as the
horizon; whilst, on the other side of the river, the Quai Henri IV. and
the Quai de la Rapée extended their low and irregular buildings, their
row of houses which, looked at from above, resembled the tiny wood and
cardboard houses the little girls kept in boxes. In the background,
to the right, the slate roof of the Salpêtrière rose with a bluish
tinge above the trees. Then, in the centre, descending right down to
the Seine, the broad paved banks formed two long grey tracks, streaked
here and there by a row of casks, a horse and cart, or an empty coal
or wood barge lying stranded high and dry. But the soul of all this,
the soul which filled the landscape, was the Seine, the living river;
it came from afar, from the vague and trembling border of the horizon,
it emerged from over there, as from a dream, to flow straight to the
children, in the midst of its tranquil majesty, its mighty expansion
which spread and became a flood of water at their feet, at the
extremity of the island. The two bridges which crossed it, the Pont de
Bercy and the Pont d'Austerlitz, seemed like necessary bonds placed
there to keep it in check, and prevent it rising to the room. The
little ones loved the giant, they filled their eyes with its colossal
flow, with that ever murmuring flood which rolled towards them, as
though to reach to where they were, and which they could feel rive and
disappear to the right and left into the unknown, with the docility of
a conquered Titan. On fine days, mornings with a blue sky overhead,
they were charmed with the beautiful dresses the Seine assumed; varying
dresses which changed from blue to green, with a thousand infinitely
delicate tints; one could have fancied them of silk, spotted with white
flames, and trimmed with frills of satin; whilst the boats drawn up at
Public-domain text, read in full here on John Shaqi.
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