The lilt of the music, the throbbing rhythm of the dance, complete the
spell which Thamar’s beauty has begun. With eyes intent only upon the
face of his enchantress, the stranger puts the potion to his lips. As he
sets the wine cup down, Thamar eludes the embrace he proffers and glides
away. The youth pursues her through the whirling ranks of dancers, but
at a sign from Thamar the women take him by the hand and lead him from
the chamber. Reluctant to go, he yet submits to be escorted thus, since
the purpose is but to attire him more fitly for the night-long revel.
Left alone amidst her court, Thamar draws inspiration for her
approaching deeds of lust and violence from the savage frenzy of her
followers. Her henchmen crowd around her, goading her willing spirit
with the vigour of their dance. Rapidly the frenzy of that dance
increases; the armed men draw their daggers, hurling them points
downward to the floor in the midst of their whirling evolutions. Thamar,
aloof, looks on with heaving breasts. As she watches her excitement
grows, till at length with an imperious gesture she bids her attendants
bring the stranger in once more. The women fly at her behest, and
Thamar, with sudden resolution, masters her outward evidences of
passion, and gains the divan just as the stranger, in rich gala attire,
is ushered in.
The dance of armed men has ceased, and the entering youth is greeted by
a bevy of girls, each with a tabor in her hand, who dance before him,
and presently lead him to the royal couch. The youth advances gladly;
but Thamar, stealthily immobile, affects to ignore him. Spurred thus to
ingratiate himself, the stranger essays a dance before the object of his
passion. He is tall, he is shapely, he is active; his leaps and nimble
movements display to advantage his virile elegance and grace. Thamar,
watching him intently, is swept past all restraint and casts
dissimulation aside. Swiftly she darts upon him, and joins him in the
dance. The swaying measure which they foot in concert sets their pulses
throbbing to the point beyond endurance. As the music swells in volume,
the women are caught by the intoxication of the moment, and as the armed
men in their turn join the dance, the stranger finds himself supporting
the form of Thamar in their midst. The moment of ecstasy, of abandon, is
reached. A pregnant pause--then Thamar has flung herself upon the
stranger, fastened her lips upon his, and fleeing from the chamber,
drawn him in pursuit.
Public-domain text, read in full here on John Shaqi.
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