Sprightly and agile, extremity of contrast to nerveless, flabby Pierrot,
there enters Harlequin. Mischief, all spry and self-contained, is
ignorant of pity, and Folly becomes an instant butt for mockery and
ridicule. Poor witless Pierrot, defenceless against the shafts of
raillery, takes a few wild steps in blundering flight. But even that
impulse fails him and he collapses in an inert heap upon the floor. And
as he lies there, a huddled heap of misery, there passes before his
dismal gaze all the mirth and gaiety in which he cannot pluck up heart,
for all his longing, to join. He sees the sentimental pairs go by in
elegant procession, each swain intent upon his mistress, and never a
look, demure or bold, from bright eyes in his direction: he is witness
of the pleasant melancholy of lovelorn youth, seeking and in ecstasy
finding the object of its tender passion. He is present unobserved at a
declaration of love, and it is this which spurs him at length to a
spasmodic effort. For as the amorous pair, the declaration made and
enchantingly accepted, trip gaily from the scene, Pierrot, with sudden
zeal for emulation, dashes madly after them.
It is but a fitful flash of energy, however, and hardly has another
sentimental passage ended betwixt a gallant and his fair, when Pierrot,
disconsolate, returns. But even as he slouches mournfully in, he
encounters Papillon, whose fluttering butterfly grace fills him with
instant rapture. Gloom is banished on the instant: the fickle Pierrot is
in a transport of delight. Clumsily he pursues her, hat in hand, seeking
like a loutish boy to capture her. But her fluttering steps elude him;
she leads him here and there in a dizzy maze and is gone, out of reach,
at the very moment when the foolish oaf flings his hat down and thinks
to have imprisoned her. With grotesque excess of cunning he lifts the
hat’s brim, an eager paw ready to pounce upon the pretty captive. But
nothing is there! The idiotic leer fades from his face, his whole figure
sags as the momentary zest dies out, and plunged once more in the
depths of despondency, he drifts aimlessly away.
[Illustration]
The gay and sentimental revelry goes on. Columbine appears, with
Harlequin dancing attendance. Hardly have they come upon the scene when
they encounter Pantalon--an odd little figure of fun with yellow coat,
green gloves, and a preposterous stripe down the length of his trouser.
Concealing her roguish escort behind her petticoat, Columbine makes an
easy victim of the senile Pantalon, only to hold him up to ridicule when
he plunges into fervent protestations. Heartlessly she mocks her
unfortunate dupe as, whirled off his feet by the agile Harlequin, he is
made to beat an ignominious retreat.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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