A composer belonging to this period is known by name even beyond the
Russian frontiers, owing to the great popularity of one of his songs,
"The Nightingale." Alexander Alexandrovich Alabiev was born at Moscow,
August 4th, 1787[12] (O.S.). He entered the military service and,
becoming acquainted with Verstovsky, co-operated in several of his
vaudevilles. For some breach of discipline Alabiev was exiled for a time
to Tobolsk. Inspired by the success of Cavos's semi-national operas,
Alabiev attempted a Russian fairy opera entitled _A Moonlight Night or
the Domovoï_. The opera was produced in St. Petersburg and Moscow, but
did not long hold a place in the repertory of either theatre. He next
attempted music to scenes from Poushkin's poem _The Prisoner in the
Caucasus_, a naïve work in which the influence of Bellini obscures the
faint national and Eastern colour which the atmosphere of the work
imperatively demands. Alabiev, after his return from Siberia, settled in
Moscow, where he died February 22nd, 1851 (O.S.).
[Illustration: MICHAEL IVANOVICH GLINKA
_From a portrait by Repin_]
CHAPTER III
MICHAEL IVANOVICH GLINKA
In the preceding chapters I have shown how long and persistently Russian
society groped its way towards an ideal expression of nationalism in
music. Gifted foreigners, such as Cavos, had tried to catch some faint
echo of the folk-song and reproduce it disguised in Italian accents;
talented, but poorly equipped, Russian musicians had exploited the music
of the people with a certain measure of success, but without sufficient
conviction or genius to form the solid basis of a national school. Yet
all these strivings and aspirations, these mistaken enthusiasms and
immature presentiments, were not wasted. Possibly the sacrifice of many
talents is needed before the manifestation of one genius can be
fulfilled. When the yearning after a musical Messiah had acquired
sufficient force, the right man appeared in the person of Michael
Ivanovich Glinka. With his advent we reach the first great climax in the
history of Russian music.
Public-domain text, read in full here on John Shaqi.
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