China -- Description and travel; Siberia (Russia) -- Description and travel; Velikaia Siberskaia magistral
But most of all, in the proprietor himself is there an air of freshness
and cleanliness, of youth and vigor, and of self-confidence. When you
burst into a place like this, covered with snow and muffled up in furs,
disturbing the master of the house at his prayers; when your driver
lays the uninvited mattress down in the warmest place, a man cannot
but feel like a thrice-dyed barbarian bounder, even if the home be a
fifteen-foot felt hut open at the top, and situated on the borders
of the Gobi Desert. So feeling, the first impulse is to let the host
know that you are not quite, of intent, what you are by accident,--a
big hulking foreign savage. So you hastily think over what you can
give to put yourself less at a disadvantage. The prized reserve of
milk-chocolate comes to mind. “Will the host have some?” you ask.
“_Da blagodariou!_” he answers in Russian, to your surprise.
With mixed gladness at having made good thus far in any event, and
regret at the diminished store of this commodity, you take a little
spoonful of the snuff which the host is now offering in a beautiful
porcelain bottle, patterned in flowers. Then you come back with a
cigarette. Most of these people know what cigarettes are, though some
smoke them with their noses.
“No, thanks!” and he points to his closely-cropped head.
Alexsimevich, who has followed into the hut, explains: “You speak to a
priest, he does not smoke.”
A screen hangs before the altar opposite the door. You look
hesitatingly at it. Without demur, the lama, at the visible interest,
draws back the veil. There, in painted grotesqueness, is Janesron, the
red god of Thunder, and bearer of the lightning sword. He glares down
with his three eyes upon the sunken orbits of a sheep’s head, laid
out as an offering. Black Gumbo, the six-armed good spirit, is also
there, and both are surrounded by attendant demons. All are pictured
artistically, the minute detail of Tibetan workmanship showing in
their squat bodies. The polished wood of the frames is as finely
wrought as a Japanese sword-hilt.
Public-domain text, read in full here on John Shaqi.
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