China -- Description and travel; Siberia (Russia) -- Description and travel; Velikaia Siberskaia magistral
Far down the street is heard the jingle of his sledge. It brings every
girl to her peep-hole window, and every boy from his sawing to the
courtyard door. At the gateway where the newcomer turns in, he is
heralded by the commotion of the household guardians, wolf-like in
appearance and nature. Everybody within the important house runs to the
door. The village knows now which family is making local history. The
arrival is accompanied already by two or three men who have recognized
him as he descends. He tramps in with military firmness of tread,
head erect. Before he greets the grandfather even, he makes the sign
of the cross to the holy ikons, and, bowing down, touches his lips
to the floor. Then comes the respectful kiss to the old man, next to
the mother, while the younger brother, soon to go to service himself,
stands awkwardly by, and the little children look half-dubiously at a
form scarcely known after his four years of absence.
Then there is a scurrying of the grown and half-grown daughters to
prepare _chai_ and to produce the _pelmenis_ and brown bread. The
villagers drift in one by one, cross themselves, and speak their
greetings, until the little house is packed, and as hot as the
steam-room of a _banno_. The vodka-bottle is out and everybody has
settled down for an indefinite stay. The soldier’s tales of war and
garrison duty and government and revolution hold the family and the
audience breathless through the long evening. As you drop asleep, the
hero is still reciting and gesticulating. The guests in departing will
be careful not to stumble over you, so _nietchevo_.
In one of the houses where we put up, a shop adjoins the big
living-room. It has dingy recesses from which hatchets and the commoner
farm utensils can be produced, shelves of homespun cloth, and gaudy
cottons for the men’s blouses, and beads for the women’s bonnets.
Here, as in the country-stores of our own land, during the long idle
winter days there is always a crowd and endless discussion of the
village events,--the health of each other’s cows, births, marriages,
deaths, drafts into the army, taxes. Even in this remoteness something
of the echo of great Russia’s struggle is heard over the shopkeeper’s
tea-cups. We hum, unthinking, a bar of _Die Beide Grenadier_, in which
a refrain of the _Marseillaise_ occurs.
A peasant looks quickly up. “It is not allowed, that song,” he says.
“Why not?”
“That is the song of the strikers.”
“But the _gaspadine_ is a foreigner. He may sing it.”
“Yes,” says the peasant, “he may sing it, but I may not. Would that I
might!”
Public-domain text, read in full here on John Shaqi.
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