For the rest, the room possessed a sofa which was an English cousin to
an Italian day bed and curtains of china silk in which there was a faint
tinge of pink. A small table on which there was a collection of dainty
things for writing, mementos of many Christmases and several lines of
shelves crammed with books gave the room something of the appearance of
a boudoir, and this was added to by half a dozen cheap French prints
framed in gold which looked rather well against a wall paper of tiny
bouquets tied up with blue ribbon. Lola’s collection of books had
frequently sent John Breezy into gusts of mirth. There was nothing among
them that he could read. Very few of them were in English and those were
of French history. The rest were the lives and memoirs of famous
courtesans, including those of the Madame de Brézé, to whom the
watchmaker always referred with a mixture of pride and levity,—but not
when his wife was in hearing. A bulky French dictionary, old and
dog-eared, stood in solitude upon the writing table.
It was to this room that Lola withdrew as often as possible to cut
herself off from every suggestion of Queen’s Road, Bayswater, and the
shop below, and to forget her daily journeys to and from the Polytechnic
where she was supposed to be taking a commercial course in bookkeeping
and shorthand with a view either to going into an office or becoming a
teacher in one of the many small schools which endeavored to keep their
heads up in and about that portion of London.
The game of make-believe, which the dramatist who followed Lola from
Hyde Park corner that afternoon had watched her play, had been carried
on in this bed-sitting room ever since she had fallen under the spell of
the de Brézé memoirs. It was here, especially on Sunday mornings, that
this young thing let her imagination have full play while her father and
mother, dressed in their Sabbath best, attended the Methodist Church
near-by. Then, playing the part of her celebrated ancestress, she put on
a little lace cap and a _peignoir_ over her nightgown and sat up in bed
to receive the imaginary friends, admirers and sycophants who came to
her with the latest gossip, with rare and beautiful gifts and with the
flattery of their kind, which, while it pleased her very much, failed to
turn her head, because, after all, she had inherited much of her
mother’s shrewdness. With her door locked, her nose powdered and her
lips the color of a cherry, Lola conducted, for her own amusement, a
brilliant series of monologues which, if given on the stage in a setting
a little more elaborate, would have set all London laughing.
Public-domain text, read in full here on John Shaqi.
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