To all of which Fallaray listened with a sort of respectful interest but
without the slightest enthusiasm, and remained lolling in his chair. He
might have been a Buckinghamshire Squire who knew no language but his
own, hearing a Frenchman holding forth for no apparent reason on
Napoleon. He watched his friend’s mouth, appraised his occasional
gestures, ran his eyes with liking over his well-knit body and found his
voice pleasant to the ear. Beyond that, nothing.
Lytham began to feel like a man who throws stones into a lake. All his
points seemed to disappear into an unruffled and indifferent surface of
water. It was incomprehensible. It was also indescribably baffling. What
on earth had come over this man who, until a few days before, had been
burning with a desire to reconstruct and working himself into a
condition of nervous exhaustion in an endeavor to pull his country out
of chaos?
“Well,” he said, after an extraordinary pause, during which everything
seemed to have fallen flat. “What are you going to do?”
“But I’ve told you, my dear George,” said Fallaray, with a long sigh of
happiness. “I have found a home, at last.”
“You mean that you are going to let us down?”
“I mean that I am going to live my own life.”
“That you’re out of politics?”
“Yes. My resignation goes in to-morrow.”
“My God! Why?”
Fallaray got up and went to the window. He stood for a moment looking
out at a corner of the terrace where several steps led down to a
fountain in which, out of an urn held in the hands of a weather-worn
boy, water was flowing, colored like a rainbow by the evening sun.
And Lytham followed him, wondering whether he had gone off his head,
become feeble-minded as the result of overstrain. And then he saw Lola
sitting on the edge of the fountain, with her face tilted up, her hands
clasped round one of her knees and her golden hair gleaming.
And there both men remained, gazing,—Fallaray with a smile of
possession, of infinite pride and pleasure; Lytham with an expression of
profound amazement and quick understanding.
“So it’s a woman,” he thought. And as he continued to look, another
picture of that girl came back into his mind. He had seen her before. He
had turned as she had passed him somewhere and caught his breath. He
remembered to have said to himself as she had walked away, “Eve, come to
life! Some poor devil of an Adam will go to hell for her.”—The
Carlton—Chalfont—the foyer with its little cases of glittering jewels,
the long strip of carpet leading to the stairs of the dining room—the
palms—the orchestra. It all came back.—Well, this might be a form of
madness in a man of Fallaray’s age and womanless life, but, thank God,
it was one with which he could deal. It was physical, not mental, as he
had feared. Fallaray might very well play Adam without going into hell.
“Can’t you combine the two,” he said. “Politics and that girl? It’s been
done before. It’s being done every day. The one is helped by the other.”
Public-domain text, read in full here on John Shaqi.
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