Simpkins gasped. If he had been passing through the hall and a footman
had opened the front door to this girl he would have slipped into a dark
corner to watch her enter, believing that she had come to visit Lady
Feo. He knew a thoroughbred when he saw one. That she should have come
to the area of all places seemed to him to be irregular, not in
conformity with the rules of social rectitude which were his religion.
All the same he thrilled, and like every other man who caught sight of
Lola and stood near enough to catch the indefinable scent of her hair,
stumbled over his words.
Lola repeated her remark and gave him a vivid friendly smile. If she
carried her point with her aunt presently, this man would certainly be
useful. “If you will please come in,” said Simpkins, “I’ll go and see if
Miss Breezy’s upstairs. What name shall I say?”
“Lola Breezy.”
“Miss Lola Breezy. Thank you.” He paused for a moment to bask, and then
with a little bow in which he acknowledged her irresistible and
astonishing effect, disappeared,—valet stamped upon his respectability
like a Cunard label on a suit case.
Lola chuckled and remained standing in the middle of what was used by
the servants as a sitting room. How easy it was, with her gift, to
shatter men’s few senses. She knew the place well,—its pictures of Queen
Victoria and of famous race horses cut from illustrated papers cheaply
framed and its snapshots of the gardens of Chilton Park, Whitecross,
Bucks. Discarded books of all sorts were piled up on various tables.
_The Spectator_ and _The New Statesman_, Massingham’s peevish weekly,
_Punch_, _The Sketch_ and _The Tatler_, _Eve_ and the _Bystander_, which
had come downstairs from the higher regions, were scattered here and
there. They had been read and commented upon first by the butler and
then downwards through all the gradations of servants to the girl who
played galley slave to the cook. Lola wondered how long it would be
before she also would be spending her spare time in that room,
hobnobbing with the various members of the family below stairs. A few
days, perhaps, not more,—now that she had fastened on this plan.
Simpkins returned almost immediately. “If you will follow me,” he said,
and gave her an alluring smile which disclosed a row of teeth that were
peculiarly English. He led the way along a narrow passage up the back
staircase and out upon a wide and imposing corridor, hung with Flemish
tapestry and old portraits, which appealed to Lola’s sense of the
decorative and sent her head up with a tilt of proprietorship. This was
her atmosphere. This was the corridor along which her imaginary
sycophants had passed so often to her room in Queen’s Road, Bayswater.
“We’re not supposed to go through here,” said Simpkins, eager to talk,
“except on duty. But it’s a short cut to the housekeeper’s quarters and
there’s no one in to catch us. You look well against that hanging,” he
added. “Like a picture in the Academy,”—which to him was the Temple of
Art.
Public-domain text, read in full here on John Shaqi.
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