Something happened that afternoon which might have swung Lola’s life on
to an entirely different set of rails and put Fallaray even farther out
of her reach. The unrest which had followed the War had made the
acquisition of servants very difficult. The young country girls who had
been glad enough to go into service in the large houses now preferred to
stick to their factories, because they were able to have free evenings.
The housekeeper at Chilton Park was very short-handed and in consequence
asked Lola and Mrs. Malwood’s maid if they would make themselves useful.
Mrs. Malwood’s didn’t see it. She had been well bitten by the
trades-union bug and, therefore, was not going to do anything of any
sort except her specific duties, and those as carelessly as she could.
The housekeeper could go and hang herself. Violet, the girl in question,
intended to lie on her bed and read _Scarlet Bits_ until she was needed
by her mistress. Lola, whose blood was good, was very glad to lend a
hand. With perfect willingness she committed an offence against lady’s
maids which shocked Violet to the very roots of her system. She donned a
little cap and apron and turned herself into a parlor maid, a creature,
as all the world knows, many pegs of the ladder beneath her own position
as a lady’s maid. When, therefore, tea was served on the terrace, Lola
assisted the butler, looking daintier than ever, and so utterly free
from coquetry, because there was no man in the world except Fallaray for
her, that she might have been a little ghost.
But the trained eye of Gordon Macquarie looked her over immediately. He
turned to Lady Feo, to whom he had not addressed a word for twenty
minutes, and said with a sudden flash of enthusiasm, “Ye gods and little
fishes, what a picture of a girl! Wouldn’t she look perfectly wonderful
in the front line of the chorus on the O. P. side! An actress too, I bet
you. Look at the way she’s pretending not to be alive. Of course she
knows how perfectly sweet she looks in that saucy make-up.”
Public-domain text, read in full here on John Shaqi.
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