"Who is he?" Frances inquired, looking out at the approaching figure, "The troubadour of the North Platte, I call him," laughed Nola; "the queerest little traveling musician in a thousand miles. He belongs back in the days of romance, when men like him went playing from castle to court--the last one of his kind." Frances watched him with new interest as he drew up to the big gate, which was arranged with weights and levers so that a horseman could open and close it without leaving the saddle. The troubadour rode a mustang the color of a dry chili pepper, but with none of its spirit. It came in with drooping head, the reins lying untouched on its neck, its mane and forelock platted and adorned fantastically with vari-colored ribbons. Rosettes were on the bridle, a fringe of leather thongs along the reins. The musician himself was scarcely less remarkably than the horse. He looked at that distance--now being at the gate--to be a dry little man of middle age, with a thirsty look about his throat, which was long, with a lump in it like an elbow. He was a slender man and short, with gloves on his hands, a slight sandy mustache on his lip, and wearing a dun-colored hat tilted a little to one side, showing a waviness almost curly in his glistening black hair. He carried a violin case behind his saddle, and a banjo in a green covering slung like a carbine over his shoulder. "He'll know where to put his horse," said Mrs. Chadron, getting up with a new interest in life, "and I'll just go and have Maggie stir him up a bite to eat and warm the coffee. He's always hungry when he comes anywhere, poor little man!" "Can he play that battery of instruments?" Prances asked. "Wait till you hear him," nodded Nola, a laugh in her merry eyes. Then they fell to talking of the coming night, and of the trivial things which are so much to youth, and to watching along the road toward Meander for the expected guests from Cheyenne, who were to come up on the afternoon train. Regaled at length, Banjo Gibson, in the wake of Mrs. Chadron, who presented him with pride, came into the room where the young ladies waited with impatience the waning of the daylight hours. Banjo acknowledged the honor of meeting Miss Landcraft with extravagant words, which had the flavor of a manual of politeness and a ready letter-writer in them. He was on more natural terms with Nola, having known her since childhood, and he called her "Miss Nola," and held her hand with a tender lingering. His voice was full and rich, a deep, soft note in it like a rare instrument in tune. His small feet were shod in the shiningest of shoes, which he had given a furbishing in the barn, and a flowing cravat tied in a large bow adorned his low collar. There were stripes in the musician's shirt like a Persian tent, but it was as clean and unwrinkled as if he had that moment put it on.