This stercoraceous bread has its main axis lying in a horizontal
position. Its shape and size remind one exactly of those little
Midsummer’s Day pears which, by virtue of their bright colouring, their
flavour and their early ripening, are so popular with the children.
There is a slight variation in the bulk of the pears found. The largest
dimensions are 45 millimetres in length by 30 millimetres in width;
[19] the smallest are 35 millimetres by 28. [20]
Without being as polished as stucco, the surface, which is absolutely
even, is carefully glazed with a thin layer of red earth. At first soft
as potter’s clay, the pyriform loaf soon dries and acquires a stout
crust which refuses to yield to the pressure of the fingers. Wood
itself is no harder. This rind is the defensive wrapper that isolates
the recluse from the world and allows him to consume his victuals in
profound peace. But, should the central mass become dried up, then the
danger is extremely serious. We shall have occasion to refer to the
unhappy lot of the grub condemned to a diet of too stale bread.
What dough does the Scarab’s bakehouse use? Who are the purveyors? The
Horse and the Mule? By no means. Yet that was what I expected—and so
would anybody—after seeing the insect make such energetic raids, for
its own use, upon the overflowing store of an ordinary lump of dung.
That is where it habitually manufactures the rolling ball which it goes
and consumes in some underground retreat.
While coarse bread, full of bits of hay, is good enough for the mother,
she becomes more particular where her children are concerned. She now
wants the very daintiest pastry, rich in nourishment and easily
digested; she wants the ovine manna: not that which the Sheep of a
costive habit scatters in trails of black olives, but that which,
elaborated in a less dry intestine, is fashioned into a single flat
cake. This is the material required, the dough exclusively used. It is
no longer the poor and stringy produce of the Horse, but an unctuous,
plastic, homogeneous thing, soaked through and through with nutritive
juices. Its plasticity and delicacy make it an admirable medium for an
artistic piece of work like the Scarab’s pear, while its alimentary
qualities suit the weak stomach of the new-born grub. There may not be
much of it, but the infant Beetle will find it sufficient for his
needs.
This explains the smallness of these pears, a point which made me
suspicious of the origin of my treasure until I found the mother
present with the provisions. I was unable to see in those little pears
the bill of fare of a future Sacred Beetle, who is so great a glutton
and of so remarkable a size.
Public-domain text, read in full here on John Shaqi.
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