The insects reared in captivity tell me that, in the Gymnopleuri, the
larva lasts seventeen to twenty-five days and the nymph fifteen to
twenty. These figures are bound to vary, but within narrow limits. I
shall therefore fix each period at approximately three weeks.
Nothing remarkable happens during the nymphal stage. The only thing to
be noted is the curious costume worn by the perfect insect on its first
appearance. It is the costume which the Sacred Beetle showed us: head,
corselet, legs and chest a rusty red; wing-cases and abdomen white. We
may add that, being powerless to burst his shell, which has been turned
into a strong-box by the heat of August, the prisoner, in order to
release himself, waits until the first September rains come to his help
and soften the wall.
Instinct, which under normal conditions amazes us with its unerring
prescience, astonishes us no less with its dense ignorance when
unaccustomed conditions supervene. Each insect has its trade, in which
it excels, its series of actions logically arranged. Here it is really
a master. Its foresight, though unwitting, here surpasses our
deliberate science; its unconscious inspiration is here the superior of
our conscious reason. But divert it from its natural course; and
forthwith darkness succeeds the splendours of light. Nothing will
rekindle the extinguished rays, not even the greatest stimulus that
exists, the stimulus of maternity.
I have given many instances of this strange antithesis, [33] which is
the death-blow to certain theories; I find another and an exceedingly
striking one in the Dung-beetles whose story I have now nearly finished
telling. We are surprised at this clear vision of the future possessed
by our manufacturers of spheres, pears and ovoids; but we are no less
surprised by something totally different, namely, the mother’s profound
indifference to the nursery which but now was the object of her
tenderest cares.
My remarks apply equally to the Sacred Beetle and the two Gymnopleuri,
all of whom display the same admirable zeal when the grub’s comfort has
to be assured, and later, with no less unanimity, the same
indifference. I surprise the mother in her burrow before she has laid
her eggs, or, if the laying be over, before she has added those
meticulous after-touches dictated by her exaggerated conscientiousness.
I install her in a pot packed full of earth, placing her on the surface
of the artificial soil, together with her work, in its more or less
advanced state. In this place of banishment, provided that it be quiet,
there is not much hesitation. The mother, who until now has held her
precious materials tight-clutched, decides to dig a burrow. As the work
of excavation progresses, she drags her pellet down with her, for it is
a sacred thing with which she must not part at any time, even amid the
difficulties of her digging. Soon the cell in which the pear or the
ovoid is to be made is in existence at the bottom of the pot.
Public-domain text, read in full here on John Shaqi.
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