The Sacred Books and Early Literature of the East, Volume 6 (of 14): Medieval Arabic, Moorish, and Turkish
Religion
The Sacred Books and Early Literature of the East, Volume 6 (of 14): Medieval Arabic, Moorish, and Turkish
Oriental literature -- Translations into English
Said the narrator: Then I knew that it was Abu Zayd, the man of
ill-fame and disgrace, he that blackens the face of his hoariness. And
the greatness of his contumacy offended me, and the foulness of the
path of his resorting: so I said to him with the tongue of indignation
and the confidence of acquaintance: "Is it not time, old man, that
thou withdraw from debauchery?" But he was angry, and growled, and his
countenance changed, and he thought a while: and then he said, "It
is a night for merriment, not for rebuke, an occasion for drinking
wine, not for contention; so leave speaking thy thought until we meet
to-morrow." Then I left him, through fear of his drunken humor, not
through dependence on his promise; and I passed my night clothed in the
mourning of repentance, at having advanced the steps of my foot to the
daughter of the vine, not of grace. And I made a vow to God Almighty
that I would never again enter the tavern of a liquor-seller, even
that I might be endowed with the dominion of Bagdad; and that I would
not look upon the vats of wine, even that the season of youth might be
restored to me. Then we saddled the white camels in the last darkness
of night, and left together Abu Zayd and Iblis.
ARABIC LITERATURE
THE POETS OF ARABIA
"_Mortal joys, however pure,
Soon their turbid source betray;
Mortal bliss, however sure,
Soon must totter and decay._"
THE CALIPH RAHDI.
THE POETS OF ARABIA
(INTRODUCTION)
Arabic poetry, as explained in introducing the "Assemblies" of Al
Hariri, is based largely on harmonies of sound and striking turns of
phrasing. Hence most of the poems are brief; and a poet's fame depended
upon a few brilliant couplets rather than on any sustained melody or
long-continued flight of noble thought. One distinguished philosophical
poem of some length is the well-known "Lament of the Vizier Abu
Ismael." This we give in full at the conclusion of this section; but
mainly we must illustrate the finest flowering of Arabic verse by
selecting specimens of characteristic brevity.
Many of the Arab caliphs inclined to the gaieties of life rather than
to their religious duties, and kept many poets around them. Indeed some
of the caliphs themselves were poets: The Caliph Walid composed music
as well as verse; and was hailed by his immediate companions as a great
artist. His neglect of religion, however, was so reckless as to rouse
the resentment of his people, and he lost his throne and life.
Public-domain text, read in full here on John Shaqi.
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