The Sacred Books and Early Literature of the East, Volume 6 (of 14): Medieval Arabic, Moorish, and Turkish
Religion
The Sacred Books and Early Literature of the East, Volume 6 (of 14): Medieval Arabic, Moorish, and Turkish
Oriental literature -- Translations into English
Most noted of all the Arab poets was Mutanabbi (905-965). His fantastic
imagery and extravagant refinements of language were held by his
admirers to be the very perfection of literature. More than forty
commentaries were written to explain the subtleties of his verse. Such,
indeed, was the intensity of Mutanabbi's poetic ecstasy that he fancied
himself a prophet and began to preach a new religion, until a term in
prison persuaded him to cling to the accepted form of Mohammedanism.
In one well-known passage ridiculed by the great French critic, Huart,
Mutanabbi says of an advancing army that it was so vast
"The warriors marched hidden in their dust;
They saw only with their ears."
The commentators explain, perhaps unnecessarily, that this means that
the warriors' senses were confused by all the tumult, so that while
they thought they saw, in reality they only heard the clamor of the
marchers around them. In translation, Mutanabbi's verses lose all
value. Deprived of their Arabic melody they seem mere bombast and
absurdity. This, in fact, is the general charge which must be made
against the later Arabic poetry. It too often degenerated into empty
sound.
THE POETS OF ARABIA
THE SONG OF MAISUNA[28]
(WIFE OF THE CALIPH MOWIAH)
The russet suit of camel's hair,
With spirits light, and eye serene,
Is dearer to my bosom far
Than all the trappings of a queen.
The humble tent and murmuring breeze
That whistles thro' its fluttering wall,
My unaspiring fancy please
Better than towers and splendid halls.
Th' attendant colts that bounding fly
And frolic by the litter's side,
Are dearer in Maisuna's eye
Than gorgeous mules in all their pride.
The watch-dog's voice that bays whene'er
A stranger seeks his master's cot,
Sounds sweeter in Maisuna's ear
Than yonder trumpet's long-drawn note.
The rustic youth unspoilt by art,
Son of my kindred, poor but free,
Will ever to Maisuna's heart
Be dearer, pamper'd fool, than thee.
TO MY FATHER[29]
(BY THE CALIPH YAZID)
Must then my failings from the shaft
Of anger ne'er escape?
And dost thou storm because I've quaff'd
The water of the grape?
That I can thus from wine be driv'n
Thou surely ne'er canst think—
Another reason thou hast giv'n
Why I resolve to drink.
'Twas sweet the flowing cup to seize,
'Tis sweet thy rage to see;
And first I drink myself to please;
And next—to anger thee.
ON FATALISM[30]
(BY THE HOLY IMAN SHAFAY)
Not always wealth, not always force
A splendid destiny commands;
The lordly vulture gnaws the corse
That rots upon yon barren sands.
Nor want, nor weakness still conspires
To bind us to a sordid state;
The fly that with a touch expires
Sips honey from the royal plate.
TO THE CALIPH HAROUN AL RASHID[31]
(BY PRINCE IBRAHIM BEN ADHAM)
Public-domain text, read in full here on John Shaqi.
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