At Chinese burials, after the body has been placed in the tomb, the mourners join hands and perform a sort of merry-go-round about the tomb; they repeat this three days later[353]. The Irish, even at the present day, when burying their dead, move in procession, sometimes three times, but at least once, round the grave-yard, accompanying the coffin[354]. This must, in all probability, be a modification of an earlier form of the rite in which the mourners went round the coffin itself; unless this be regarded as a continuation of the funeral procession itself; but, generally speaking, the particular custom of which we are thinking is quite distinct from the funeral procession. From these instances of a modification of the sacred dance as a mourning rite we turn now to some in which the dancing is performed in the more literal sense. III Among the Arabs at the present day, and doubtless the rite in one form or another goes back to times of antiquity, the women and the young girls, when on their way to the place of mourning, make two circles by holding hands and dance what is called the _Raḳṣa_ dance; while dancing they sing: The Almighty, the Almighty, gives and takes; The path to the place of mourning I desire not for myself...[355]. Although other instances among the Arabs exist, they are not numerous. But as to other Semitic peoples we have been unable to discover examples. On the other hand, there is a considerable amount of evidence regarding its existence among the Egyptians, both ancient and modern. In respect of the former this occurs mainly on inscriptions, so that it is graphic as well as informing. On one of these there is a representation of the ceremony of mourning in the chamber of the dead; harp-players, singers, and dancers appear as taking part in the ceremonies[356]. “The sculptures and paintings of the xviii-xx dynasties,” says Flinders Petrie[357], “show many scenes of funeral dances; usually one woman held a tambourine aloft and beat out a rhythm on it, while others danced round. Exactly this dance may be seen now when parties of women go up to the cemeteries a fortnight or a month after a funeral; an old negress is often the drummer, and the party stop every few hundred yards along the road for a dance.” At the “Feast of Eternity” dancing always took place in honour of the dead; dancing men headed the procession in which the statue of the departed was borne. The step was rhythmic and slow, the arms being raised over the head during the dancing and the inside of the hands being turned upwards. Another position was that of stretching the right arm slantingwise upwards while the left arm was placed on the back. Behind the men three or four women follow, singing[358].