The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
In an inscription on a tomb at Benihassan there is a representation of
dances at the funeral festival of the monarch Chnomhôtep, of the period
of the twelfth dynasty; the dancing is performed by women very slightly
clad. Funeral processions were always accompanied by women dancing and
singing[359]. In a grave near the royal tombs of Abydos, belonging to the
first dynasty (before 5000 B.C.) Flinders Petrie found a curved wand,
ending in a ram’s horn, used for beating time in dancing[360]. There can
be little doubt that this was used during the performance of the funeral
dance.
As already pointed out, this rite is still to be seen among the modern
Egyptians. Lane gives the following interesting description of it:
It is customary among the peasants of Upper Egypt for the
female relations and friends of a person deceased to meet
together by his house on each of the first three days after
the funeral, and there to perform a lamentation and a strange
kind of dance. They daub their faces and bosoms, and part of
their dress, with mud; and tie a rope-girdle, generally made
of the coarse grass called “halfa,” round the waist[361]. Each
flourishes in her hand a palm-stick, or a _nebboot_ (a long
staff), or a spear, or a drawn sword, and dances with a slow
movement, and in an irregular manner, generally pacing about,
and raising and depressing the body. This dance is continued
for an hour or more, and is performed twice or three times in
the course of the day. After the third day the women visit the
tomb, and place upon it their rope-girdles; and usually a lamb,
or a goat, is slain there, as an expiatory sacrifice, and a
feast is made on this occasion[362].
Whether the performers of this dance know the purpose and meaning of it
or not now is not stated; but there can be little doubt, knowing what
we do of the object of similar dances on similar occasions among other
peoples, that it had originally a twofold purpose, though these have now
been amalgamated in one rite. In the first place, it was performed as an
act of honour to the departed; this would have been more appropriately
done on the occasion of offering the sacrifice at the tomb; probably
at one time this was the procedure. But it had the further object of
combating the evil spirits which were usually supposed to gather in the
vicinity of a corpse, hence the palm-stick, etc.; this would be done on
behalf of the spirit of the departed as well as of the mourners; the
daubing of mud on faces and bosoms was by way of protection against the
evil spirits, for it acted as a disguise. There are cases on record in
which it is the angry spirit of the deceased himself who is feared and
against whom protective measures are taken; but in the example before us
the fact that a lamentation is made rather points to the spirit of the
deceased not being feared.
Public-domain text, read in full here on John Shaqi.
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