The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
Another form of this ecstatic type of dance is mentioned in the Old
Testament, also in connexion with prophets, though not Israelite
prophets. There was a peculiar kind of limping dance performed, as it
would appear, on special occasions by the prophets of Baal. This began
with a limping step round the altar as though the performers were
lame, but soon developed into a wild jumping about on the altar, and
culminated in self-laceration with knives and the like. In how far a
state of semi-consciousness or total unconsciousness was attained is not
indicated; but in the light of analogous cases (referred to in Chapter
VII) it may be gathered that the loss of the physical sensation of pain
inflicted by the self-laceration must imply to some extent a loss of
consciousness so far as external surroundings were concerned. In writing
about the prophetic ecstasy of Syrian as well as Israelite prophets, Dr
T. H. Robinson well expresses the state in saying that it was
a peculiar psychic condition in which the subject seemed to be
possessed of powers, indeed of a whole sphere of consciousness,
which was denied to the ordinary individual, and to the prophet
himself in normal states. He did not cease to be conscious
of the world as it appeared to others, but he heard and saw
things which were beyond their range. There were a number of
well-marked physical phenomena connected with the condition of
ecstasy, though these were not invariable. The subject might be
affected with a certain constriction of the muscles, in which
case the state resembled that of a trance. On the other hand,
muscular activity might be largely increased. Leaping, bodily
contortions, and loud cries resulted, which, as they tended to
become regular and rhythmical, developed into dancing and song.
The subject frequently experienced a kind of anaesthesia, and
would slash wildly at his own body with knife or whip, without
showing any signs of physical pain[32].
We shall find all this illustrated in the examples, to be given in
Chapter VII, of this type of dance among a number of races.
Various means were employed to bring about this ecstatic state, such as
alcohol, and other drugs; but there can be little doubt that the most
frequent, and certainly the most primitive, means adopted was that of
dancing.
Public-domain text, read in full here on John Shaqi.
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