The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
A third cross-road leads on the right to Caryae, and to the
sanctuary of Artemis; for Caryae is sacred to Artemis and the
nymphs, and an image of Artemis Caryatis stands here under the
open sky. Here every year the Lacedaemonian maidens dance in
troops their national dance[86].
Frazer, in his notes on the passage, says that the dancing of the
Lacedaemonian maidens “is said to have been taught the Lacedaemonians by
Castor and Pollux (Lucian, _De Saltatione_, 10)....” “The name Caryae,”
he says further, “means ‘walnut-trees,’ and may have been given to the
town from the walnut-trees which grew there[87].” Further on Pausanias
tells of the Messenians who “waylaid by day the maidens who were dancing
at Caryae in honour of Artemis, and seizing the wealthiest and noblest
of them, carried them off to a village in Messenia[88].” When dancing in
honour of Artemis the maidens were dressed in short _chitôn_, and carried
a basket-like receptacle on their heads[89].
The worship of Artemis, as Curtius has observed, was peculiarly
associated with low-lying land and reed-covered marshes. The
reeds shared with men in the worship of the goddess, and moved
to the sound of the music in her festivals, or, as Strabo says,
the baskets danced, or in Laconia maidens crowned with reeds
danced[90].
At the Brauronian ceremonies of Artemis it was the custom for young
maidens to dance, in honour of the goddess, dressed in saffron robes; in
this dance both they and the priestess were called “bears.” The saffron
robe, according to Farnell, was “possibly worn in order to imitate the
tawny skin of the bear,” but he is doubtful of this; it is, however, very
probable, as he says, that in the earliest times of the rite an actual
bear-skin was worn by the dancers[91]. This dance was known by the name
of _Arkteia_; quite young girls took part in it, from the ages of five to
ten, and it appears to have been a kind of initiation by which they were
consecrated to Artemis before arriving at puberty[92].
On the dance called _Orkēsis Iōnikē_, which was performed in honour of
Artemis, see _Julii Pollucis Onomasticon_, IV. 193. Mention is also made
of the dancing in honour of this goddess at Elis, in Pisatid territory,
Pausan. VI. xxii. 1; see also Farnell, _The Cults of the Greek States_,
II. 445; and for other dances belonging to her worship see Gruppe, _op.
cit._ I. pp. 254, 283, 342, II. 842 and especially 1284; Lobeck, _Aglao._
II. 1085 ff.
The dancing performed at the festival of _Gymnopaediae_, also in honour
of Artemis, as well as Apollo and Latona, which was held in Sparta at
the beginning of July, is referred to by Pausanias; he says:
Public-domain text, read in full here on John Shaqi.
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