The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
Probably one of the most instructive first-hand pieces of information
which we have on the subject is contained in the answers given to
Chalmers in reply to questions which he addressed to some natives of New
Guinea. He asked “_What does the dance signify?_” and he got two replies
from the natives of the two most important districts of this big island
respectively; the first ran thus:
When they dance all the spirits rejoice, as do all the people.
When dancing, all food grows well; but when not dancing, food
grows badly. No drums are beaten uselessly [the drum-beating
is the invariable accompaniment to dancing, one implies the
other]. When anyone dies drums are beaten to comfort friends.
The second was this:
Drum-beating and dancing are a sign of rejoicing and
thanksgiving, in order that by so doing there may be a large
harvest. If the dancing is not given there will be an end to
the good growth; but if it is continued, all will go well.
People come in from other villages and will dance all night.
There will be several feasts during the time, and each leader
of the dance will pray and thank the spirits for the good
harvest.
Among other questions he also asked: “_Is there any useless dancing?_”
and the two replies were: “No, the drum is never beaten uselessly”; and:
“Dances are never merely useless[1].”
* * * * *
The study of the subject brings out without a shadow of doubt that these
answers illustrate what were, and still are to a great extent, the
beliefs held in regard to the sacred dance by numbers of peoples in an
undeveloped stage of culture. It is a good illustration of what, within
a circumscribed area, holds good of the wider study of religions in
general, that, as Farnell has so well put it,
all through the present societies of savage men there prevails
an extraordinary uniformity, in spite of much local variation,
in ritual and mythology, a uniformity so striking as to suggest
belief in an ultimately identical tradition, or, perhaps more
reasonably, the psychologic theory that the human brain-cell in
different races at the same stage of development responds with
the same religious speech or the same religious act to the
same _stimuli_ supplied by its environment[2].
Public-domain text, read in full here on John Shaqi.
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