The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
On my arrival I found the people assembled on the open grassy
space in front of the temple. The men and the boys sat
together, the women and the girls being at a little distance.
Soon the music struck up, and some of the men and boys began
to dance in a circle, the _chela_[230] dancing in the centre.
After a time the music became wilder and the dance more
energetic. Some of the men, when tired, sat down, and others
took their places. The _chela_ continued dancing, and he
applied the _sungal_[231] to his own back and shoulders, and
to those of some of the other dancers. Some of the men then
applied another similar scourge to their backs, with great
effect, amid shouts of _Kailang Mahārāi ki jāi_ (“Victory to
the great king Kailang”). Then, all being ready, a victim (a
ram) was led out, and having shown, by shivering, that it was
acceptable to the deity, its head was struck off. The body
was immediately lifted up by several men, and the _chela_,
seizing upon it, drank the blood as it spouted from the neck,
amid renewed shouts of _Kailang Mahārāi ki jāi_. The carcase
was thrown down upon the ground, and the head, with a burning
coal upon it, placed before the threshold of the temple. The
dancing was then renewed, and became more violent, until the
_chela_ gasped out _Kailang āya_ (“Kailang has come”). All then
became silent, and the prophet announced that the sacrifice was
accepted, and that the season would be favourable. This was
received with a storm of shouts of _Kailang Mahārāi ki jāi_,
and the _chela_ sank down upon the ground exhausted. Water was
poured over him, and he was vigorously fanned till he showed
signs of revival. The assembly then began to disperse[232].
These three examples exhibit essentially the same _traits_ and
sufficiently illustrate this type of dance in its extreme form among
peoples of low civilization, so that it is unnecessary to multiply
illustrations. It must, however, be said that this more barbarous form
of the ecstatic dance is not nearly so prevalent as the form previously
mentioned; it seems to be resorted to in times of emergency, and in this
offers a further parallel to the case of the prophets of Baal.
SUMMARY AND CONSIDERATIONS
Public-domain text, read in full here on John Shaqi.
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