Man-woman relationships -- England -- Fiction; Married people -- England -- Fiction; Psychological fiction
"They're natural, they're natural," I privately reflected; "that is,
he's natural to _her_, but he's not so to me." And as if seeing depths
in this, and to try it, I appealed to him. "Do, my dear man, let us have
it again. It's the picture, of all pictures, that most needs an
interpreter. _Don't_ we want," I asked of Mrs. Server, "to know what it
means?" The figure represented is a young man in black--a quaint, tight
black dress, fashioned in years long past; with a pale, lean, livid face
and a stare, from eyes without eyebrows, like that of some whitened
old-world clown. In his hand he holds an object that strikes the
spectator at first simply as some obscure, some ambiguous work of art,
but that on a second view becomes a representation of a human face,
modelled and coloured, in wax, in enamelled metal, in some substance not
human. The object thus appears a complete mask, such as might have been
fantastically fitted and worn.
"Yes, what in the world does it mean?" Mrs. Server replied. "One could
call it--though that doesn't get one much further--the Mask of Death."
"Why so?" I demanded while we all again looked at the picture. "Isn't it
much rather the Mask of Life? It's the man's own face that's Death. The
other one, blooming and beautiful----"
"Ah, but with an awful grimace!" Mrs. Server broke in.
"The other one, blooming and beautiful," I repeated, "is Life, and he's
going to put it on; unless indeed he has just taken it off."
"He's dreadful, he's awful--that's what I mean," said Mrs. Server. "But
what does Mr. Long think?"
"The artificial face, on the other hand," I went on, as Long now said
nothing, "is extremely studied and, when you carefully look at it,
charmingly pretty. I don't see the grimace."
"I don't see anything else!" Mrs. Server good-humouredly insisted. "And
what does Mr. Obert think?"
He kept his eyes on her a moment before replying. "He thinks it looks
like a lovely lady."
"That grinning mask? What lovely lady?"
"It does," I declared to him, really seeing what he meant--"it does look
remarkably like Mrs. Server."
She laughed, but forgivingly. "I'm immensely obliged. You deserve," she
continued to me, "that I should say the gentleman's own face is the
image of a certain other gentleman's."
"It isn't the image of yours," Obert said to me, fitting the cap, "but
it's a funny thing that it should really recall to one some face among
us here, on this occasion--I mean some face in our party--that I can't
think of." We had our eyes again on the ominous figure. "We've seen him
yesterday--we've seen him already this morning." Obert, oddly enough,
still couldn't catch it. "Who the deuce is it?"
"I know," I returned after a moment--our friend's reference having
again, in a flash, become illuminating. "But nothing would induce me to
tell."
"If _I_ were the flattered individual," Long observed, speaking for the
first time, "I've an idea that you'd give me the benefit of the
compliment. Therefore it's probably not me."
Public-domain text, read in full here on John Shaqi.
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