The Sacred Tree; or, the tree in religion and mythPhilpot, J. H., Mrs.
Religion
The Sacred Tree; or, the tree in religion and myth
Philpot, J. H., Mrs.
Tree worship
This primitive connection of the gods of Greece with vegetative life was
lost sight of in their later developments. Even at the date of the
Homeric poems the more advanced of the Greeks had evidently arrived at
“a highly developed structure of religious thought, showing us clear-cut
personal divinities with ethical and spiritual attributes.”[63] But the
older and cruder ideas of the nature of the gods left a persistent trace
in the ritual with which they were worshipped, as well as in the designs
of the artists who reflected the popular traditions. Thus the ancient
custom of burning incense before the tree, decking it with consecrated
fillets, and honouring it with burnt offerings, survived long after the
belief of which it was the natural development had decayed. A sculpture
preserved in the Berlin Museum represents the holy pine-tree of Pan
adorned with wreaths and fillets. An image of Pan is near, and offerings
are being brought to an altar placed beneath it. Again, Theocritus
describes how at the consecration of Helen’s plane-tree at Sparta, the
choir of Lacedaemonian maidens hung consecrated wreaths of lotus flowers
upon the tree, anointed it with costly spikenard, and attached to it the
dedicatory placard: “Honour me, all ye that pass by, for I am Helen’s
tree.”[64]
[Illustration: Fig. 13.—Fruit-tree dressed as Dionysus.(Bötticher, Fig.
44.)]
The practice of giving the tree a human semblance, by clothing it in
garments or carving its stump in human form, was the natural result of
this worship amongst an artistic race, groping its way towards a
concrete expression of its ideas. It represented the crude strivings of
a people who, in their attempts to create gods in their own image,
eventually produced an unsurpassable ideal of human grace and beauty.
From the rudely carved tree-stump arose in due time the Hermes of
Praxiteles. Bötticher reproduces several ancient designs in which the
trunk of a tree is dressed as Dionysus. In one of these a mask is
fastened at the top of the trunk in such a way that the branches appear
to grow from the head of the god, and the trunk itself is clothed with a
long garment; a table, or altar, loaded with gifts, stands beside
it.[65]
Public-domain text, read in full here on John Shaqi.
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