The Sagebrusher: A Story of the WestHough, Emerson
General
The Sagebrusher: A Story of the West
Hough, Emerson
Western stories
Sim Gage, the man who followed him out and stood for a time in the
unsparing brilliance of the evening sunlight, did not compare too well
with his friend. He was a man of absolutely no presence, utterly
lacking attractiveness. Not so much pudgy as shapeless; he had been
shapeless originally. His squat figure showed, to be sure, a certain
hardiness and vigor gained in his outdoor life, but he had not even the
rude grace of a stalwart manhood about him. He sank apologetically
into a lax posture, even as he stood. His pale blue eyes lacked fire.
His hair, uneven, ragged and hay-colored, seemed dry, as though
hopeless, discouraged, done with life, fringing out as it did in gray
locks under the edge of the battered hat he wore. He had been unshaven
for days, perhaps weeks, and his beard, unreaped, showed divers colors,
as of a field partially ripening here and there. In general he was
undecided, unfinished--yes, surely nature must have been undecided as
he himself was about himself.
His clothing was such as might have been predicted for the owner of the
nondescript bed resting on the cabin floor. His neck, grimed, red and
wrinkled as that of an ancient turtle, rose above his bare brown
shoulders and his upper chest, likewise exposed. His only body
covering was an undershirt, or two undershirts. Their flannel
over-covering had left them apparently some time since, and as for the
remnant, it had known such wear that his arms, brown as those of an
Indian, were bare to the elbows. He was always thus, so far as any
neighbor could have remembered him, save that in the winter time he
cast a sheepskin coat over all. His short legs were clad in blue
overalls, so far as their outside cover was concerned, or at least the
overalls once had been blue, though now much faded. Under these, as
might be seen by a glance at their bottoms, were two, three, or
possibly even more, pairs of trousers, all borne up and suspended at
the top by an intricate series of ropes and strings which crossed his
half-bare shoulders. One might have searched all of Sim Gage's cabin
and have found on the wall not one article of clothing--he wore all he
had, summer and winter. And as he was now, so he had been ever since
his nearest neighbor could remember. A picture of indifference, apathy
and hopelessness, he stood, every rag and wrinkle of him sharply
outlined in the clear air.
He stood uncertainly now, his foot turned over, as he always stood,
there seeming never at any time any determination or even animation
about him. And yet he longed, apparently, for some sort of human
companionship, but still he argued with his friend and asked him not to
hurry away.
Public-domain text, read in full here on John Shaqi.
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