Blue lizards haunted it; cats, parrots, tame gazelles chased one another
over the fine Guinea mats; negro women servants went dolefully backwards
and forwards across the room, shuffling their sandals, diffusing pungent
odours of soumaré and musk-scented amulets. The ensemble produced an
indefinably melancholy atmosphere of exile and solitude. It was very
dreary, all of it, especially in the evening, when the sounds of life
ceased and gave place to the eternal complaint of the African breakers.
In Cora’s bedroom everything was gayer and more modern. The furniture and
hangings, lately arrived from Paris, gave it an air of fresh elegance and
comfort. One breathed there the perfume of the most fashionable essences
bought at the scent shops on the boulevard.
It was there that Jean passed his hours of intoxication. This room seemed
to him an enchanted palace, surpassing in luxury and charm all that his
imagination could have pictured.
This woman had filled his life and had become his only happiness. With
the refinement of a creature sated with pleasure, she had desired to
possess Jean’s soul as well as body. With the feline guile of a creole
she had acted for the benefit of this lover, who was younger than
herself, an irresistible comedy of ingenuous love. She had succeeded; he
belonged to her, body and soul.
XI
A very comical little negress, of whom Jean took no notice, lived in
Cora’s house as a “captive.” This little girl was called Fatou-gaye.
She had been brought quite recently to St Louis and sold as a slave
by Douaïch Moors, who had captured her in one of their raids upon the
territory of the Khassonkés.
Her extreme mischievousness and her fierce independence had caused her to
be relegated to a very humble position in the household. She was looked
upon as a little nuisance, a useless mouth, and an acquisition to be
regretted.
Having not yet quite arrived at marriageable age, when the negresses of
St Louis deem it proper to clothe themselves, she generally went naked,
with a necklet of _grigris_ round her throat, and a few glass beads
strung round her loins. Her head was very carefully shaven, except for
five tiny locks of hair, knotted and stiffened with gum, five little
rigid tails, arranged at regular intervals from the forehead to the nape
of the neck. Each of these locks had a coral bead at the tip, except the
middle one, which displayed a more precious ornament. This was a gold
sequin of great antiquity, which must have been brought in old days from
Algiers by caravan, after long and complicated wanderings through the
Sahara.
Without this grotesque arrangement of hair, the regularity of
Fatou-gaye’s features would have been striking. She was of the purest
Khassonké type: a small delicate Grecian face, with a skin smooth
and black as polished onyx; teeth of dazzlingly whiteness; eyes of
extraordinary mobility, two large, jet black, restless orbs rolling left
and right, with whites of a bluish tint, and black eyelids.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account