Then, before setting out, he had leaned on his elbow at one of the large
windows of the barracks, troubled in mind, trying to think—to think, if
that were possible, while he drew a few breaths of less oppressive air.
He shuddered at the thing he was about to do.
If he had withstood temptation for several days, his resistance was
due to the very complicated emotions struggling within him. A kind of
instinctive horror still mingled with the terrible urgency of his senses.
And superstition, too, played a part, the superstition inborn in a
mountaineer, a vague dread of charms and amulets, horror of I know not
what enchantments, what bonds of darkness.
It seemed to him that he was about to cross the fatal threshold, to sign
some sort of sinister pact with that black race, that darker veils would
descend, separating him from his mother and his betrothed and all that he
had loved and regretted in his home overseas.
The warm twilight sank upon the river; the old, white town turned rosy in
the light, blue in the shadows; long lines of camels were wending their
way across the plain, moving northwards to the desert.
Already in the distance could be heard the griots’ tom-toms beginning,
and the song of frantic desires. _Anamalis fobil!—Faramata hi!_
The hour of his assignation with Fatou-gaye was almost past. Jean set off
at a run to join her in the marshes of Sorr.
* * * * *
A solitary baobab cast its shadow upon their strange nuptials. The
saffron sky stretched above them its impassive vault, melancholy,
oppressive, laden with electricity, with terrestrial emanations and vital
elements.
To paint that nuptial couch would require warmer tints than any palette
could provide—African words, sounds, rustling noises, and, above all,
silence, all the odours of Senegal, tempest, sombre fire, transparency,
obscurity.
And yet there was nothing to be seen, save a single, solitary baobab in
the midst of a great, grassy plain.
Mingled with his delirious infatuation, Jean still felt a sort of secret
horror, as he saw, contrasting with the background of dusky twilight, the
intenser blackness of his bride; as he saw, close to his own, the glitter
of Fatou’s rolling eyes.
Great bats flitted noiselessly above them, their silken-winged flight
seemed like the rapid fluttering of black cloth. They flew so low that
they brushed them with their wings, their bat-like curiosity greatly
excited by Fatou’s garment of white cotton, which showed up on the
parched grass.
_Anamalis fobil!_ ... _Faramata hi!_ ...
PART II
I
... Three years had passed....
Three times the terrible spring and the cold weather season had come
again; three times the “season of thirst,” with its cold nights, its wind
from the desert....
Public-domain text, read in full here on John Shaqi.
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