Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
The day was Thursday; the month, October, rushing to its close; and the
battered alarm-clock on the red mantel stood at precisely one o'clock.
The room was enormous, high and generally dim, the third floor front of
Miss Pim's boarding-house on lower Madison Avenue. Of its four windows,
two, those at the side, had been blinded by the uprising of an ugly
brick wall, which seemed to impend over the room, crowding into it,
depriving it of air. The two windows fronting on the avenue let in two
shafts of oblique sunlight. The musty violet paper on the walls,
blistered in spots, was capped by a frieze of atrocious pink and blue
roses. The window-shades, which had been pulled down to shut out the
view of the wall, failed to reach the bottom. The curtain-rods were
distorted, the globes on the gas fixtures bitten and smoked. At the
back, an alcove held a small bed, concealed under a covering of painted
eastern material. An elongated gilt mirror, twelve feet in height,
leaned against the corner. Trunks were scattered about, two open and
newly ransacked. A folding-bed transformed into a couch, heaped with
cushions, was between the blind windows: opposite, a ponderous rococo
dressing-table, the mirror stuffed with visiting-cards, photographs and
mementoes. Half a dozen vases of flowers--brilliant chrysanthemums,
heavily scented violets, American Beauty roses, slender and
nodding--fought bravely against the pervading dinginess. On the large
central table stood a basket of champagne, newly arrived, a case of
assorted perfumes, a box of white evening gloves and two five-pound
boxes of candy in fancy baskets.
Before the mirrored dressing-table, tiptoe on a trunk, a slender girlish
figure was studying solicitously the effect of gold stockings and low
russet shoes with buckles of green enamel. She was in a short skirt and
Russian blouse, rich and velvety in material, of a creamy rose-gold
luster. The sunlight which struck at her ankles seemed to rise about her
body, suffusing it with the glow of joy and youth. The neck was bare;
the low, broad, rolling silk collar, which followed the graceful lines
of the shoulders beneath, was softened by a full trailing bow of black
silk at the throat. A mass of tumbling, tomboy, golden hair, breaking in
luxuriant tangles over the clear temples, crowned the head with a
garland. Just past twenty-two, her figure was the figure of eighteen, by
every descending line, even to the little ankles and feet, finely
molded.
[Illustration: "What do you really think?"]
She had elected to call herself, according to the custom of the
Salamanders, Doré Baxter. The two names, incongruously opposed, were
like the past and the present of her wandering history: the first,
brilliant, daring, alive with the imperious zest and surprise of
youth; the second baldly realistic, bleak, like a distant threatening
uprise of mountains.
Public-domain text, read in full here on John Shaqi.
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