Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
"I know! I'm not asking forgiveness!" And, with a decision that
astonished Dodo, she entered, saying, "No one will come--for half an
hour at least? I've got something I must talk out, you're the only human
being, Dodo--I must talk to some one, or I shall go mad!"
The obstinate reckless force in her words and gestures completed Dodo's
astonishment. Instead of a suppliant, Winona had assumed control of the
situation. She hesitated, on the point of an angry refusal. But Winona
had not come to ask for forgiveness--for what then? She turned on her
heel, sat down and folded her arms aggressively, looking her sternest.
Winona immediately placed herself before her, never avoiding her gaze,
speaking abruptly, as if in a hurry, with hard cruel notes in her voice:
"Dodo, you were the only true friend I had in the world; you did
everything for me; and I tried to take from you a man who means nothing
to you. You have a dozen,--twenty, if you wish,--and I had none! I was
desperate! I'm saying no more--what's the use? You wouldn't forgive
me--I wouldn't if I were you; and, if you did, would that change
matters? No! Some day--you will see matters differently." She stopped at
an angry gesture of negation from the seated girl, and repeated, with a
smile full of bitterness: "Some day--yes, remember what I say!" For a
moment, through the hardness of her mood, a little bit of the old Winona
appeared, gentle and tender, as she looked down with the first trace of
remorse; but she crushed it immediately, and continued almost
mechanically, as if reciting a piece committed to memory:
"What I tell you now, I tell you because you are the only one I can
trust, and because, no matter what's happened, you are the one I want to
understand. I have been married for five years!"
At this incredible announcement Dodo let her arms fall, half rising from
her seat, open-mouthed.
"Married!"
Public-domain text, read in full here on John Shaqi.
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