Horror tales; Salem (Mass.) -- Fiction; Short stories
Carson examined it closely, noticed a depression on its edge which would
afford a handhold. His fingers fitted easily into the groove, and he
pulled tentatively. The stone moved a trifle and stopped. He pulled
harder, and with a sprinkling of dry earth the slab swung away from the
wall as though on hinges.
A black rectangle, shoulder-high, gaped in the wall. From its depths a
musty, unpleasant stench of dead air welled out, and involuntarily
Carson retreated a step. Suddenly he remembered the monstrous tales of
Abbie Prinn and the hideous secrets she was supposed to have kept hidden
in her house. Had he stumbled upon some hidden retreat of the long-dead
witch?
Before entering the dark gap he took the precaution of obtaining a
flashlight from upstairs. Then he cautiously bent his head and stepped
into the narrow, evil-smelling passage, sending the flashlight’s beam
probing out before him.
He was in a narrow tunnel, scarcely higher than his head, and walled and
paved with stone slabs. It ran straight ahead for perhaps fifteen feet,
and then broadened out into a roomy chamber. As Carson stepped into the
underground room—no doubt a hidden retreat of Abbie Prinn’s, a
hiding-place, he thought, which nevertheless could not save her on the
day the fright-crazed mob had come raging along Derby Street—he caught
his breath in a gasp of amazement. The room was fantastic, astonishing.
It was the floor which held Carson’s gaze. The dull gray of the circular
wall gave place here to a mosaic of varicolored stone, in which blues
and greens and purples predominated—indeed, there were none of the
warmer colors. There must have been thousands of bits of colored stone
making up that pattern, for none was larger than a walnut. And the
mosaic seemed to follow some definite pattern, unfamiliar to Carson;
there were curves of purple and violet mingled with angled lines of
green and blue, intertwining in fantastic arabesques. There were
circles, triangles, a pentagram, and other, less familiar, figures. Most
of the lines and figures radiated from a definite point: the center of
the chamber, where there was a circular disk of dead black stone perhaps
two feet in diameter.
It was very silent. The sounds of the cars that occasionally went past
overhead in Derby Street could not be heard. In a shallow alcove in the
wall Carson caught a glimpse of markings on the walls, and he moved
slowly in that direction, the beam of his light traveling up and down
the walls of the niche.
The marks, whatever they were, had been daubed upon the stone long ago,
for what was left of the cryptic symbols was indecipherable. Carson saw
several partly-effaced hieroglyphics which reminded him of Arabic, but
he could not be sure. On the floor of the alcove was a corroded metal
disk about eight feet in diameter, and Carson received the distinct
impression that it was movable. But there seemed no way to lift it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account