The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism: With Dr. Doddridge's DreamStowe, Harriet Beecher
History
The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism: With Dr. Doddridge's Dream
Stowe, Harriet Beecher
Spiritualism; Upham, Charles Wentworth, 1802-1875. Salem witchcraft; Witchcraft -- Massachusetts -- Salem
Between the church books and the parish
and court records, the character, repute, ways, and manners of every
conspicuous resident can be ascertained; and it may be said that nothing
out of the common way happened to any man, woman, or child within the
district which could remain unknown at this day, if any one wished to
make it out. Mr. Upham has wished to make out the real story of the
Witch Tragedy; and he has done it in such a way that his readers will
doubtless agree that no more accurate piece of history has ever been
written than the annals of this New England township.
For such a work, however, something more is required than the most
minute delineation of the outward conditions of men and society; and in
this higher department of his task Mr. Upham is above all anxious to
obtain and dispense true light. The second part of his work treats of
what may be called the spiritual scenery of the time. He exhibits the
superstition of that age, when the belief in Satanic agency was the
governing idea of religious life, and the most engrossing and pervading
interest known to the Puritans of every country. Of the young and
ignorant in the new settlement beyond the seas his researches have led
him to write thus:
THE ACTORS IN THE TRAGEDY.
"However strange it seems, it is quite worthy of observation, that the
actors in that tragedy, the 'afflicted children,' and other witnesses,
in their various statements and operations, embraced about the whole
circle of popular superstition. How those young country girls, some of
them mere children, most of them wholly illiterate, could have become
familiar with such fancies, to such an extent, is truly surprising. They
acted out, and brought to bear with tremendous effect, almost all that
can be found in the literature of that day, and the period preceding it,
relating to such subjects. Images and visions which had been portrayed
in tales of romance, and given interest to the pages of poetry, will
be made by them, as we shall see, to throng the woods, flit through
the air, and hover over the heads of a terrified court. The ghosts of
murdered wives and children will play their parts with a vividness
of representation and artistic skill of expression that have hardly
been surpassed in scenic representations on the stage. In the
Salem-witchcraft proceedings, the superstition of the middle ages
was embodied in real action. All its extravagant absurdities and
monstrosities appear in their application to human experience. We see
what the effect has been, and must be, when the affairs of life, in
courts of law and the relations of society, or the conduct or feelings
of individuals, are suffered to be under the control of fanciful or
mystical notions. When a whole people abandons the solid ground of
common sense, overleaps the boundaries of human knowledge, gives itself
up to wild reveries, and lets loose its passions without restraint,
it presents a spectacle more terrific to behold, and becomes more
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