The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism: With Dr. Doddridge's DreamStowe, Harriet Beecher
History
The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism: With Dr. Doddridge's Dream
Stowe, Harriet Beecher
Spiritualism; Upham, Charles Wentworth, 1802-1875. Salem witchcraft; Witchcraft -- Massachusetts -- Salem
The settlement had its birth in 1620, the date of the charter granted
by James I. to "the Governor and Company of Massachusetts Bay in New
England." The first policy of the company was to attract families of
good birth, position, education, and fortune, to take up considerable
portions of land, introduce the best agriculture known, and facilitate
the settling of the country. Hence the tone of manners, the social
organization, and the prevalence of the military spirit, which the
subsequent decline in the spirit of the community made it difficult for
careless thinkers to understand. Not only did the wealth of this class
of early settlers supply the district with roads and bridges, and clear
the forest; it set up the pursuit of agriculture in the highest place,
and encouraged intellectual pursuits, refined intercourse, and a loftier
spirit of colonizing enterprise than can be looked for among immigrants
whose energies are engrossed by the needs of the day. The mode of dress
of the gentry of this class shows us something of their aspect in their
new country, when prowling Indians were infesting the woods a stone's
throw from their fences, and when the rulers of the community took it
in turn with all their neighbors to act as scouts against the savages.
George Corwin was thus dressed:
"A wrought flowing neckcloth, a sash covered with lace, a coat with
short cuffs and reaching halfway between the wrist and elbow; the skirts
in plaits below; an octagon ring and cane. The last two articles are
still preserved. His inventory mentions 'a silver-laced cloth coat, a
velvet ditto, a satin waistcoat embroidered with gold, a trooping scarf
and silver hat-band, golden-topped and embroidered, and a silver-headed
cane.'" (Vol. i. p. 98.)
Public-domain text, read in full here on John Shaqi.
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