A month previous to the opening of our story her father, widowed at her
birth, had married for the third time, his wife being a young and
uninteresting Italian woman of the middle class. The marriage, to which
Millicent was strongly opposed, had led her to accept the invitation of
her half-brother to make him an extended visit in his California home.
From the great cases she lifted, with the help of Ah Lam, the household
treasures which she had been unwilling to leave behind, in the home
which knew her as its mistress no longer. A motley collection of
articles had the great trunks enclosed: pictures, books, a large Eastern
carpet, a parchment missal of the fifteenth century with beautiful
illuminations, a guitar, a little majolica shrine with a figure of San
Antonio very much the worse for the journey, a set of delicately wrought
silken window and bed hangings of pale sea color, a pair of heavy silver
candelabra, with a ponderous packet of wax tapers, and innumerable other
knick-knacks.
With the willing and ingenious assistance of Ah Lam, this _roba_, to
borrow the untranslatable Italian phrase, was disposed about the large
room. The neat Nottingham lace curtains, at which Millicent had looked
askance, were now hidden beneath the blue-green draperies, embroidered
by the hands of the mother whose face she had never seen. The pictures
were hung upon the walls, and a deep-hued Egyptian scarf disguised the
pasteboard motto, with its friendly welcome. A book-case was improvised
by the Chinaman from some old boxes, and covered by Millicent, who
unhesitatingly cut to pieces a heavy woollen gown whose color struck her
as appropriate to that end. Beside the bed she hung the little shrine
of San Antonio, with much grief that the long journey had damaged his
saintly toes and fingers. On a table were ranged the candlesticks and
the missal, and an old copy of Dante with a mouse-gnawed cover, and
Lear’s "Nonsense Book,"--this last because it was an old friend from
childhood, which she, being a creature of habit, had forgotten to
discard.
The complete metamorphosis of the apartment was a work of several days;
and only when it was entirely accomplished were Mrs. Deering and her
daughter admitted to see the change. Poor Barbara! All the pains and
trouble she had taken, all the careful stitches she had set, were
unavailing. The new carpet she had bought with her own pocket money was
entirely covered by old rugs, some of which were very faded and worn;
none of them were as bright and clean as the Kidderminster.
The warm knitted afghan had disappeared from the bed, which was covered
by a white quilt embroidered in strange floral designs. The very toilet
set had been replaced, and the pretty painted candles had been banished.
Public-domain text, read in full here on John Shaqi.
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