pride, being selfish, should make him doubt and finally even forget
love, which is unselfish. But he had pardoned her, and loved her with
all her sins; he had acknowledged that bond of spirit which made them
one; he had knelt before her and kissed her feet in a passionless
embrace full of reverence. No matter what griefs should fall upon her,
no matter what deed or word of his might put them apart in this world,
she should carry through her life, and beyond it, the knowledge that
what was highest in him had leapt to meet her love, and acknowledged
that they belonged each to other for eternity.
John Graham awoke one morning to find himself possessed of a picture.
He had seen it between waking and sleeping, in the early hours of the
night, and it had haunted his dreams till sunrise. He heard the
wondrous carolling of the birds just before dawn, with a joy greater
than was his wont, for it heralded the day which should bring light for
his work. French John, coming in with his breakfast, for the first time
in his life entered and left the tower without word or look of greeting
from the artist, who, with bent brow and serious face, was sketching in
the first lines of his picture with a bit of white chalk. The
half-finished portrait of Mrs. Patrick Shallop looked at him with one
reproachful eye from the easel; but Graham paid no heed to the neglected
portrait; he was deeply engrossed in pursuing his thought and preserving
it in a tangible shape. It is a rare thing, in this age of the worship
of the golden calf, for the artist even to be absorbed in the love of
his profession. Of old, it seems that the sages and the sculptors
wrought and thought for the sake of art and learning, the spur of
ambition being all that was necessary to urge them forward. To-day the
goal toward which such men strive is a golden one, and the worship of
money is more in vogue than the pursuit of glory.
Public-domain text, read in full here on John Shaqi.
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