He had been over-working, and for what? That the picture for which he
had sacrificed so much, should be seen one brief hour by a dozen men!
He now felt in what a strained condition his nerves had been. The
picture was gone, and with it the strong excitement which had kept him
alive and alert. The tension was relaxed, and an intense depression had
followed, which was in turn losing itself in a new feeling. A lonely
longing, a craving for a tender womanly sympathy, for the only human
being who had never misunderstood his many moods, who was always in
sympathy with him in joy or sorrow. She alone in all the world could
have helped him at this time; to her he could have confided all those
delicate shades of thought which drifted through his mind, too fragile
ever to be prisoned in words. She could have divined those half-formed
ideas and crystallized them into steadfast utterances. He was cold,
bitterly cold, and suffered for that loving human sympathy as the
parched hillsides had but now longed for the refreshing rain which had
made the earth green and fair after the long summer drought. He had
chosen Art for his mistress, and she had smiled upon him chastely and
coolly; and yet he was not content.
Barbara left the piano, and Graham joined her. The over-punctilious
courtesy with which he had always treated her was forgotten. He spoke
suddenly and sharply:--
"What did you mean by what you said to me,--why am I too late?"
"I meant too late for a draught from the loving-cup."
"You meant more than that."
"If you choose to fancy--"
"I cannot but choose to _know_."
By this time the gay group from the dining-room had flooded the library
with their ringing voices, their merry faces. Only these two were pale
and out of harmony with the scene. Barbara, with downcast eyes, stood by
the piano, tapping her fingers nervously on the polished case.
"I have interrupted your festivity; I have been a very skeleton at the
feast; forgive me,--I could not help coming,--forgive me and answer me
one question, and I will go and leave you in peace."
"I say, Bab, we are going into the drawing-room to tell ghost stories.
O’Neil has a splendid one,--a real Irish family banshee yarn. Come on,
you and Graham."
"In a moment, Hal, don’t wait for us; we will join you before you are
all settled and Mr. O’Neil has begun."
The library was again empty. The voices of the holiday folk reached
their ears across the hall.
"Tell me what you have heard from her."
There was no need of speaking her name. Her face looked at them from its
place over the mantel-shelf,--a quick, strong sketch made by Graham.
From a leafy background white shoulders, and a fair face with deep eyes,
were shadowed forth. The firelight, falling restlessly upon the
picture, touched into light now the full red mouth, now the ivory
throat.
"I have not heard for some time. She was in Venice again, very ill from
the long journey, when she last wrote."
"You have not heard since?"
"No."
Public-domain text, read in full here on John Shaqi.
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