"Four quail and two rabbits," replied the old man laconically, without
returning the greeting of his visitor.
"And what have you in that old iron pot of yours? Something very good,
I warrant."
"Stewed quail with bacon."
"Well, you must eat it yourself, for I do not want any supper to-night;
I am going up to the house to pass the evening. Here is a package of
tobacco for you. I shall be ready at the usual time for my breakfast."
The old man nodded his thanks for the present; and Graham left the hut,
and proceeded to the spot where his horse was tethered. He saddled and
mounted the mustang, and rode swiftly down the narrow path. Old John
watched from his doorway the movements of the young man, and when he had
disappeared, sat down to his solitary meal. The brief glimpses of
Graham and his many kindly acts were the only human influences which
touched the life of poor old French John. His dealings with Hal Deering
were rare; once in a month the young man visited his cot, overlooked the
work he had been engaged upon, and paid him his wages. For the
occasional gifts of tobacco and wine, the chance newspaper from Paris,
which were the only events of importance in the dull routine of his
life, he was indebted to Graham. He gave no expression to his
gratitude, and would have been sorely puzzled to do so. But the artist
was none the less aware of it; and some portion of the packages which
occasionally came to the tower from San Francisco never failed to find
their way to the hut of the wood-cutter.
Public-domain text, read in full here on John Shaqi.
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