The young men rolled back the huge rugs, leaving the hard-wood floor
exposed. Mrs. Deering placed herself at the piano and struck up a
little old-fashioned waltz which she had learned in her youth, and
Millicent was whirled off her feet by her energetic partner. Not till
she had danced twice with Deering and Ferrara, did Graham claim her hand
for a waltz; and not till Mrs. Deering struck the last chords of the
music did he loose her waist from his circling arm. Then a stroll on the
piazza was proposed, and it was not till the last stroke of twelve
warned them that the new day had begun that the party broke up. Barbara
and Millicent stood together watching for Hal, who had gone to fetch
Graham’s horse, when the artist joined them on the piazza and bade them
good-night. Millicent, with her foreign breeding, never had conformed
to the American habit of hand-shaking, but when Graham wished her
good-night she instinctively and unconsciously gave him her hand. He
held it possibly a half second longer than was necessary, and then
sprang on his horse. As he rode down the dark path, he turned in his
saddle and took a last look at the house. Barbara had gone indoors; one
figure alone stood beneath the rose-vine with bare white arms, the
figure he had seen on his arrival earlier in the evening.
"Good-night to you," he cried. The deep, musical tones were answered by
a farewell greeting from the girl who stood there alone in the night
watching his retreating form.
CHAPTER IV.
"Then, in the boyhood of the year,
Sir Launcelot and Queen Guinevere
Rode through the coverts of the deer
With blissful treble ringing clear;
She seemed a part of joyous Spring."
Public-domain text, read in full here on John Shaqi.
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