The guests were shown to their rooms by the hostess, and Millicent gave
an exclamation of delight on entering the apartment allotted to her. It
was indeed a unique room. The walls were panelled in ebony to a third
of their height, a bright light pattern in flowers running to the
ceiling, and relieving what might otherwise have been sombre. The
glossy black wood was carved into a wide, high fireplace, where two
brass andirons, curiously wrought with twisted dragons, supported a fire
whose bright blaze was most welcome to Millicent. She found the season
very cold compared to the still, hot Italian summers. Below the mantel
the fire shone out in welcome, but above the ebony shelf, set in the
wall, was a picture which seemed fuller of light and color than the
leaping flames. A Venetian scene with a terrace whereon sat men and
maidens in the warm glow of the sunset, looking out over a stretch of
many-toned water, in which were mirrored sky and clouds, trees,
draperies, and graceful human figures. A black gondola, partly shown in
the foreground, might have held the painter while he sketched the
brilliant scene.
"It is my Venice!" cried Millicent, "it is my home!" Her eyes were full
of tears. She caught Barbara by the arm and rapidly described to her
the point from which the picture had been painted.
"Mr. Graham will be very much pleased that you recognized the spot."
"Is it _his_ picture? Yes, I ought to have known it."
"Why, are you clairvoyant?"
"Yes, Barbara, sometimes."
Millicent seemed somewhat disconcerted at what she had said; and,
without noticing anything more in the pretty room, ascended the dainty
little ebon staircase with its fanciful rail, and, pushing back a panel
which slid into the wall, entered her bedroom. Later, when both of the
girls had exchanged their travelling dresses, Barbara knocked at
Millicent’s boudoir.
Public-domain text, read in full here on John Shaqi.
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