Millicent’s refusal to join the family at their devotions was
accompanied with a smile so exquisite and winning that the offence was
forgiven, although forgiveness had not been asked. Hal, the great
six-foot giant, more than forgave the graceful girl her ungraciousness,
and would have a thousand times preferred remaining with her to joining
his mother and sister.
On being left to herself, Millicent moved to the piano which stood open
near the window, and seating herself let her white fingers stray gently
over the keys. Strange hands were Millicent’s, of a whiteness that made
her pale cheek look brown by comparison. The fingers were long and
taper, at the tip of each a drop as of water ready to fall from the pink
digits. The wrists were round and very slender. On the fifth finger of
the left hand she wore a strange, small old ring of an Etruscan pattern,
which had been stripped from the fleshless hand of a princess, whose
sanctuary had been rifled by some nineteenth-century robber of graves.
The setting enclosed a small green intaglio exquisitely carved,
representing a Psyche with new-found wings.
She had a strange, white luminous face whose beauty shone from within
and lit the dark gray eyes with a rare and tender loveliness. The large
mouth was more exquisitely refined than the mere rosebud tininess of
Barbara Deering’s. The teeth were very white and perfect, and the veil
of soft, golden bronze hair, in which she could have clothed herself
like Mary in the desert, was deftly massed into a great dusky knot at
the nape of her white neck. Her arms and bosom, veiled by half
transparent draperies, were white as marble from Carrara, and as finely
yet generously chiselled as those of a goddess of Phidias. She was very
tall, though her grace of movement concealed her height; her small feet
in their velvet sandals were not disproportionate to her size. Her
features were beautiful, and her hair and eyes the delight of every
artist who looked upon her. And yet that which made her so remarkable
among women had nothing to do with delicate contours or harmonious
tints. Her body seemed like a screen through which shone a flame, at
times white and gentle, again rosy and passionate. She was like the
twin opals which clasped her girdle, and was as sensitive as they to
every passing influence.
As the words of the ritual, grown to be meaningless to him by their
frequent repetition, fell upon the ears of Henry Deering he heeded them
not, and failed to make the proper responses: other sounds had struck
his ear, and soft, solemn strains of music made an under prayer to the
evening service. To these strange chords his heart made answer, and his
thoughts were raised by them far higher than was usual at that hour,
when it was their wont to run riot over the business in hand for the
next day.
Public-domain text, read in full here on John Shaqi.
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