The Sanskrit drama : $b in its origin, development, theory and practiceKeith, Arthur Berriedale
History
The Sanskrit drama : $b in its origin, development, theory and practice
Keith, Arthur Berriedale
Sanskrit drama -- History and criticism
doings in the forest and destruction of demons; Sampāti is uneasy and
bids Jaṭāyu guard Rāma well. Jaṭāyu fares on his duty, sees Sītā stolen
by Rāvaṇa, and is slain in her defence. We see Rāma and Lakṣmaṇa in
mourning; they wander in the forest, save, and receive tidings from, an
ascetic; Vibhīṣaṇa, brother of Rāvaṇa, exiled from Lan̄kā, wishes to
meet them at Ṛṣyamukha where also are the jewels dropped by Sītā in her
despair. Vālin, however, on the instigation of Mālyavant, seeks to
forbid their entry; Rāma persists and slays his foe, who bids his
brother Sugrīva lend his aid to Rāma’s search. In Act VI Mālyavant
appears desolated by the failure of his plans; he hears of Hanumant’s
setting Lan̄kā on fire. Rāvaṇa appears, doting on Sītā; in vain
Mandodarī warns him of the advance of the enemy, but his disbelief is
rudely dispelled; An̄gada bears terms of surrender of Sītā and
humiliation before Lakṣmaṇa; he refuses, and seeks to punish the envoy,
who escapes. He then goes out to battle, described at length by Indra
and Citraratha, who, as divine, can watch it from the sky; Rāvaṇa
performs feats of valour, but Hanumant revives with ambrosia Rāma and
his comrades, and Rāvaṇa finally falls dead beside his gallant son,
Meghanāda. In Act VII the cities Lan̄kā and Alakā, represented by their
deities, exchange condolences; it is reported that Sītā has by the fire
ordeal proved her chastity. The whole of Rāma’s party are now
triumphant; an aerial journey carries them to the north, where they are
welcomed by Rāma’s brothers and Daçaratha’s widows, and Viçvāmitra
crowns Rāma.
Public-domain text, read in full here on John Shaqi.
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