The Sanskrit drama : $b in its origin, development, theory and practiceKeith, Arthur Berriedale
History
The Sanskrit drama : $b in its origin, development, theory and practice
Keith, Arthur Berriedale
Sanskrit drama -- History and criticism
Act I shows Bhīma in conversation with Sahadeva as they await the
result of Kṛṣna’s visit as an envoy to seek to settle the feud between
Pāṇḍavas and Kauravas; Bhīma shows his insolent confidence in his power
and his bitter anger, by declaring that he will break with Yudhiṣṭhira
if he makes peace before the insult to Draupadī has been avenged.
Sahadeva in vain seeks to appease him, and Draupadī adds to his
bitterness by relating a fresh insult in a careless allusion by
Duryodhana’s queen. Kṛṣṇa returns, nothing effected; indeed he has had
to use his magic arms to escape detention in the enemies’ camp. War is
inevitable, but Draupadī, more human now, bids her husbands take care
of their lives against the enemy. Act II opens with an ominous dream of
Bhānumatī, Duryodhana’s queen; an ichneumon (nakula) has slain a
hundred serpents; it is a presage that the Pāṇḍavas—of whom Nakula is
one—will slay the hundred Kauravas. The king, overhearing but not
understanding, thinks he is betrayed; learning the truth, at first he
inclines to fear, but shakes off the temporary depression. The queen
offers oblation to the sun to remove the evil omen; the king appears to
comfort her: a storm arises, and they seek security in a pavilion,
where they indulge in passages of love. Then appears the mother of
Jayadratha of Sindhu, slayer of Abhimanyu, son of Arjuna, who fears the
revenge of the Pāṇḍavas; Duryodhana makes light of her fears; he
despises the resentment of the Pāṇḍavas, gloating over the remembrance
of the insults heaped on Draupadī. Finally he mounts his chariot for
the battle. Act III presents an episode of horror but also of power; a
Rākṣasī and her husband feed on the blood and flesh of the dead on the
battlefield; they have been summoned thither, for Ghaṭotkaca, son of
Hiḍimbā by Bhīma, is dead, and his demon mother has bidden them attend
Bhīma in his revenge on the Kuru host. They see the first-fruits in
Droṇa’s death at the hands of Dhṛṣṭadyumna, when he lets fall his arms,
deceived by the lie of his son’s death. They retire before Açvatthāman
who advances, but is filled with grief when he learns of the
treacherous device which cost his father’s life. His uncle Kṛpa
consoles him, and bids him ask Duryodhana for the command in the
battle. But in the meantime Karṇa has poisoned Duryodhana’s mind; Droṇa
had fought, only to win the imperial authority for his son, and has
sacrificed his life in disappointment at the failure of his plans. Kṛpa
and Açvatthāman come up; Duryodhana condoles, Karṇa sneers, Açvatthāman
asks for the command, but is refused it, as Karṇa has been promised it.
Açvatthāman quarrels with Karṇa, and a duel is barely prevented;
Açvatthāman accuses Duryodhana of partiality, and will fight no more.
Their disputes are interrupted by Bhīma’s boast that he will now slay
Duḥçāsana; Karṇa at Açvatthāman’s instigation makes ready to rescue
him, Duryodhana follows suit, Açvatthāman would go also, but is stayed
Public-domain text, read in full here on John Shaqi.
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