The Sanskrit drama : $b in its origin, development, theory and practiceKeith, Arthur Berriedale
History
The Sanskrit drama : $b in its origin, development, theory and practice
Keith, Arthur Berriedale
Sanskrit drama -- History and criticism
The other characters speak Prākrit, and, by a curious variation from
the normal practice, the stage directions, which are freely given as in
the classical drama, are normally expressed in the language which the
character concerned uses, though there are cases of mixture and
apparent confusion which may be due to the scribe. Three different
forms of Prākrit may be distinguished, the first spoken by the Duṣṭa,
the second by the mysterious Gobaṁ°, and the third by the hetaera and
Vidūṣaka.
The Duṣṭa’s speech in three important points is similar to the Māgadhī
of the Prākrit grammarians; it substitutes l for r; reduces all three
sibilants to ç; and has e in the nominative singular of masculine nouns
in a. But it ignores the rules of the grammarians in certain matters;
hard letters are not softened (e.g. bhoti), nor soft consonants elided
(e.g. komudagandha), when intervocalic. There is no tendency to
cerebralize n, and in kālanā the dental replaces the cerebral. Fuller
forms of consonants remain in han̄gho (haṅho) and bambhaṇa (bamhaṇa).
The later forms of development of consonantal combinations are unknown;
thus for rj we have jj, not yy, as in ajja; cch remains in lieu of
becoming çc; kṣ becomes kkh, not sk or ẖk; ṣṭ and ṣṭh give ṭṭh, not sṭ.
In kiçça we have an older form than kīça, in ahakaṁ than ahake, hake,
hage. In practically all these details we must see an earlier stage of
what becomes Māgadhī in the grammarians. With it may be compared the
metrical inscription of the Jogīmārā cave on the Rāmgarh hill which
belongs to the period of Açoka.
The Prākrit of the Gobaṁ° agrees with this Old Māgadhī in having l for
r and e in the nominative singular, but it reduces all sibilants to s.
It thus shows a certain similarity to the Ardha-Māgadhī of the
grammarians, but that dialect often keeps r though it frequently alters
it to l; for instance it has r for the kaleti of this Prākrit and the
Old Māgadhī. Other points of similarity are the retention of the dental
for cerebral in vanna; the lengthening of the vowel before the suffix
ka (vannīkāhi); the accusative plural neuter in pupphā; and the
infinitive bhuṁjitaye (bhuñjittae). There are points of difference, but
they are probably all cases of earlier forms. Thus, as in Old Māgadhī,
we have no softening or loss of intervocalic consonants; n is not
cerebralised, but even introduced in palinata; ḷ appears in lieu of l;
the instrumental in āhi has no nasal; the nominative of vat stems
appears as in vā, as against vaṁ or vante; in the infinitive we find no
doubling of the consonant in taye. The fact, however, of the regular
change of r to l and the use of the form yeva after a long vowel as in
Māgadhī and Pāli show that the Old Ardha-Māgadhī was more akin to
Māgadhī than the later Ardha-Māgadhī, which came steadily under the
influence of the western dialects as shown by the tendency to change e
of the nominative to o.
Public-domain text, read in full here on John Shaqi.
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