But why was Quintilian made consul? Because, replies Dodwell (164), when Hadrian first entered Rome he was desirous of gaining the affections of the people; which could be done no way so effectually as by conciliating the esteem of the literati; and he therefore conferred this extraordinary mark of favor on the rhetorician. How did it escape this learned man, that he was likely to do himself more injury in their opinion by the banishment of Juvenal at that same instant? an old man of fourscore, who, by his own testimony, had spoken of him with kindness, in a poem which did more honor to his reign than any thing produced in it! and whose only crime was an allusion to the influence of a favorite player! Indeed, the informers of Hadrian's reign must have had more sagacious noses than those of Domitian's, to smell out his fault. What Statius, in his time, was celebrated for the recitation of a Thebaid, or what Paris, for the purchase of an untouched Agave? And where, might we ask Dodwell, was the "jest" of sending a man on the verge of the grave, in a military capacity, into Egypt? Could the most supple of Hadrian's courtiers look on it as any thing but a wanton exercise of cruelty? At eighty, the business of satirizing, either in prose or verse, is nearly over: what had the emperor then to fear? And to sum up all in a word, can any rational being seriously persuade himself that the Satires of Juvenal were produced, for the first time, by a man turned of fourscore? [6] But why should he complain at all? Was he ashamed of being known to possess an influence at the imperial court? Those were not very modest times, nor is modesty, in general, the crying vice of the "quality." He was more likely to have gloried in it. If Bareas, or Camerinus, or any of the old nobility, had complained of the author, I should have thought it more reasonable: but Domitian cared nearly as little for them as Paris himself did. [7] I hold, in opposition to the commentators, that Juvenal was known in Domitian's time, not only as a poet, but as a keen and vigorous satirist. He himself, though he did not choose to commit his safety to a promiscuous audience, appears to make no great secret of his peculiar talents. In this Satire, certainly prior to many of the others, he tells us that he accompanied Umbritius, then on his way to Cumæ, out of the gates of Rome. Umbritius predicted, as Tacitus says, the death of Galba, at which time he was looked upon as the most skillful aruspex of the age. He could not then be a young man; yet, at quitting the capital, he still talks of himself as in the first stage of old age, "nova canities, et prima et recta senectus." His voluntary exile, therefore, could not possibly have taken place long after the commencement of Domitian's reign; when he speaks of Juvenal as already celebrated for his Satires, and modestly doubts whether the assistance of so able a coadjutor as himself would be accepted.