The Satires of Juvenal, Persius, Sulpicia, and Lucilius: Literally translated into English prose, with notes, chronological tables, arguments, &c.Persius
General
The Satires of Juvenal, Persius, Sulpicia, and Lucilius: Literally translated into English prose, with notes, chronological tables, arguments, &c.
Persius
Juvenal -- Translations into English; Verse satire, Latin -- Translations into English
I have observed in the course of the translation, that he embraced no
sect with warmth. In a man of such lively passions, the retention with
which he speaks of them all, is to be admired. From his attachment
to the writings of Seneca, I should incline to think that he leaned
toward Stoicism; his predilection for the school, however, was not
very strong: perhaps it is to be wished that he had entered a little
more deeply into it, as he seems not to have those distinct ideas
of the nature of virtue and vice, which were entertained by many of
the ancient philosophers, and indeed, by his immediate predecessor,
Persius. As a general champion for virtue, he is commonly successful,
but he sometimes misses his aim; and, in more than one instance,
confounds the nature of the several vices in his mode of attacking
them: he confounds too the very essence of virtue, which, in his
hands, has often "no local habitation and name," but varies with the
ever-varying passions and caprices of mankind. I know not whether it be
worth while to add, that he is accused of holding a different language
at different times respecting the gods, since in this he differs little
from the Greek and Roman poets in general; who, as often as they
introduce their divinities, state, as Juvenal does, the mythological
circumstances coupled with their names, without regard to the existing
system of physic or morals. When they speak from themselves, indeed,
they give us exalted sentiments of virtue and sound philosophy; when
they indulge in poetic recollections, they present us with the fables
of antiquity. Hence the gods are alternately, and as the subject
requires, venerable or contemptible; and this could not but happen
through the want of some acknowledged religious standard, to which all
might with confidence refer.
I come now to a more serious charge against Juvenal, that of indecency.
To hear the clamor raised against him, it might be supposed, by one
unacquainted with the times, that he was the only indelicate writer
of his age and country. Yet Horace and Persius wrote with equal
grossness: yet the rigid Stoicism of Seneca did not deter him from
the use of expressions, which Juvenal perhaps would have rejected:
yet the courtly Pliny poured out gratuitous indecencies in his frigid
hendecasyllables, which he attempts to justify by the example of a
writer to whose freedom the licentiousness of Juvenal is purity! It
seems as if there was something of pique in the singular severity with
which he is censured. His pure and sublime morality operates as a tacit
reproach on the generality of mankind, who seek to indemnify themselves
by questioning the sanctity which they can not but respect; and find a
secret pleasure in persuading one another that "this dreaded satirist"
was at heart no inveterate enemy to the licentiousness which he so
vehemently reprehends.
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