The Satires of Juvenal, Persius, Sulpicia, and Lucilius: Literally translated into English prose, with notes, chronological tables, arguments, &c.Persius
General
The Satires of Juvenal, Persius, Sulpicia, and Lucilius: Literally translated into English prose, with notes, chronological tables, arguments, &c.
Persius
Juvenal -- Translations into English; Verse satire, Latin -- Translations into English
What class of men is now most welcome to our rich men, and whom I would
especially shun, I will soon tell you; nor shall shame prevent me.[118]
It is that the city is become Greek, Quirites, that I can not tolerate;
and yet how small the proportion even of the dregs of Greece! Syrian
Orontes has long since flowed into the Tiber, and brought with it its
language, morals, and the crooked harps with the flute-player, and its
national tambourines, and girls made to stand for hire at the Circus.
Go thither, ye who fancy a barbarian harlot with embroidered turban.
That rustic of thine, Quirinus, takes his Greek supper-cloak, and wears
Greek prizes on his neck besmeared with Ceroma.[119] One forsaking
steep Sicyon, another Amydon, a third from Andros, another from Samos,
another again from Tralles, or Alabanda,[120] swarm to Esquiliæ, and
the hill called from its osiers, destined to be the very vitals, and
future lords of great houses.[121] These have a quick wit, desperate
impudence, a ready speech, more rapidly fluent even than Isæus.[122]
Tell me what you fancy he is? He has brought with him whatever
character you wish--grammarian, rhetorician, geometer, painter,
trainer,[123] soothsayer, rope-dancer, physician, wizard--he knows
every thing. Bid the hungry Greekling go to heaven! He'll go.[124] In
short, it was neither Moor, nor Sarmatian, nor Thracian, that took
wings, but one born in the heart of Athens.[125] Shall I not shun these
men's purple robes? Shall this fellow take precedence of me in signing
his name, and recline pillowed on a more honorable couch than I, though
imported to Rome by the same wind that brought the plums and figs?[126]
Does it then go so utterly for nothing, that my infancy inhaled the
air of Aventine, nourished on the Sabine berry? Why add that this
nation, most deeply versed in flattery, praises the conversation of
an ignorant, the face of a hideously ugly friend, and compares some
weak fellow's crane-like neck to the brawny shoulders of Hercules,
holding Antæus far from his mother Earth: and is in raptures at the
squeaking voice,[127] not a whit superior in sound to that of the
cock as he bites the hen. We may, it is true, praise the same things,
if we choose. But _they_ are believed. Can he be reckoned a better
actor,[128] when he takes the part of Thais, or acts the wife in the
play, or Doris[129] without her robe. It is surely a woman in reality
that seems to speak, and not a man personifying one. You would swear
it was a woman, perfect in all respects. In their country, neither
Antiochus, nor Stratocles, or Demetrius and the effeminate Hæmus, would
call forth admiration. For there every man's an actor. Do you smile? He
is convulsed with a laugh far more hearty. If he spies a tear in his
friend's eye, he bursts into a flood of weeping; though in reality he
feels no grief. If at the winter solstice you ask for a little fire, he
calls for his thick coat. If you say, I am hot! he breaks into a sweat.
Public-domain text, read in full here on John Shaqi.
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