“Some,” writes the immortal translator of Rabelais, in his preface, “have deservedly gained esteem by translating; yet not many condescend to translate but such as cannot invent; though to do the first well, requires often as much genius as to do the latter. I wish, reader, thou mayest be as willing to do the author justice, as I have strove to do him right.” Many scholars have lamented the failure of Justus Lipsius to comment upon Petronius or edit an edition of the Satyricon. Had he done so, he might have gone far toward piercing the veil of darkness which enshrouds the authorship of the work and the very age in which the composer flourished. To me, personally, the fact that Laurence Sterne did not undertake a version, has caused much regret. The master who delineated Tristram Shandy’s father and the intrigue between the Widow Wadman and Uncle Toby would have drawn Trimalchio and his peers to admiration. W. C. F. CONTENTS: PREFACE INTRODUCTION THE SATYRICON NOTES PROSTITUTION PAEDERASTIA CHAPTER NOTES 9 Gladiator obscene 17 Impotence 26 Peepholes in brothels 34 Silver Skeleton 36 Marsyas 40 A pie full of birds 56 Contumelia 116 Life in Rome 116 Legacy hunting 119 Castration 127 Circe’s voice 131 Sputum in charms 131 The “infamous finger” 138 The dildo The Cordax SIX NOTES BY MARCHENA Introduction I Soldiers in love II Courtesans III Greek love IV Pollution V Virginity VI Pandars INTRODUCTION.