The Satyricon — Volume 03: Encolpius and His CompanionsPetronius Arbiter
General
The Satyricon — Volume 03: Encolpius and His Companions
Petronius Arbiter
Rome -- Fiction; Satire, Latin -- Translations into English
I girded on my sword, when I had said these words, and, fortifying my
strength with a heavy meal, so that weakness would not cause me to lose
the battle, I presently sallied forth into the public streets and rushed
through all the arcades, like a maniac. But while, with my face savagely
convulsed in a frown, I was meditating nothing but bloodshed and
slaughter, and was continually clapping my hand to the hilt of my sword,
which I had consecrated to this, I was observed by a soldier, that is, he
either was a real soldier, or else he was some night-prowling thug, who
challenged me. "Halt! Who goes there? What legion are you from? Who's
your centurion?" "Since when have men in your outfit gone on pass in
white shoes?" he retorted, when I had lied stoutly about both centurion
and legion. Both my face and my confusion proved that I had been caught
in a lie, so he ordered me to surrender my arms and to take care that I
did not get into trouble. I was held up, as a matter of course, and, my
revenge balked, I returned to my lodging-house and, recovering by degrees
from my fright, I began to be grateful to the boldness of the footpad.
It is not wise to place much reliance upon any scheme, because Fortune
has a method of her own.
CHAPTER THE EIGHTY-THIRD.
(Nevertheless, I found it very difficult to stifle my longing for
revenge, and after tossing half the night in anxiety, I arose at dawn
and, in the hope of mitigating my mental sufferings and of forgetting my
wrongs, I took a walk through all the public arcades and) entered a
picture-gallery, which contained a wonderful collection of pictures in
various styles. I beheld works from the hand of Zeuxis, still undimmed
by the passage of the years, and contemplated, not without a certain awe,
the crude drawings of Protogenes, which equalled the reality of nature
herself; but when I stood before the work of Apelles, the kind which the
Greeks call "Monochromatic," verily, I almost worshipped, for the
outlines of the figures were drawn with such subtlety of touch, and were
so life-like in their precision, that you would have thought their very
souls were depicted. Here, an eagle was soaring into the sky bearing the
shepherd of Mount Ida to heaven; there, the comely Hylas was struggling
to escape from the embrace of the lascivious Naiad. Here, too, was
Apollo, cursing his murderous hand and adorning his unstrung lyre with
the flower just created. Standing among these lovers, which were only
painted, "It seems that even the gods are wracked by love," I cried
aloud, as if I were in a wilderness. "Jupiter could find none to his
taste, even in his own heaven, so he had to sin on earth, but no one was
betrayed by him! The nymph who ravished Hylas would have controlled her
passion had she thought Hercules was coming to forbid it. Apollo
recalled the spirit of a boy in the form of a flower, and all the lovers
of Fable enjoyed Love's embraces without a rival, but I took as a comrade
Public-domain text, read in full here on John Shaqi.
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